"Ah!" he cried, "so I've found you again at last, Mister philanthropist! Mister threadbare millionnaire! Mister giver of dolls! you old ninny! Ah! so you don't recognize me! No, it wasn't you who came to Montfermeil, to my inn, eight years ago, on Christmas eve, 1823! It wasn't you who carried off that Fantine's child from me! The Lark! It wasn't you who had a yellow great-coat! No! Nor a package of duds in your hand, as you had this morning here! Say, wife, it seems to be his mania to carry packets of woollen stockings into houses! Old charity monger, get out with you! Are you a hosier, Mister millionnaire? You give away your stock in trade to the poor, holy man! What bosh! merry Andrew! Ah! and you don't recognize me? Well, I recognize you, that I do! I recognized you the very moment you poked your snout in here. Ah! you'll find out presently, that it isn't all roses to thrust yourself in that fashion into people's houses, under the pretext that they are taverns, in wretched clothes, with the air of a poor man, to whom one would give a sou, to deceive persons, to play the generous, to take away their means of livelihood, and to make threats in the woods, and you can't call things quits because afterwards, when people are ruined, you bring a coat that is too large, and two miserable hospital blankets, you old blackguard, you child-stealer!"
_Helianthemum._--Dwarf subshrubby plants well suited for rockwork, and called Sun-Roses from their blossoms resembling small wild roses and their thriving best in sunny spots. Some of the handsomest are _H. roseum_, _mutabile_, _cupreum_ and _rhodanthum_, with red flowers; _H. vulgare flore-pleno_, _grandiflorum_ and _stramineum_, with yellow flowers; and _H. macranthum_ and _papyraceum_, with the flowers white. Entry: HARDY
_Flora._--The flora of Japan has been carefully studied by many scientific men from Siebold downwards. Foreigners visiting Japan are immediately struck by the affection of the people for flowers, trees and natural beauties of every kind. In actual wealth of blossom or dimensions of forest trees the Japanese islands cannot claim any special distinction. The spectacles most admired by all classes are the tints of the foliage in autumn and the glory of flowering trees in the spring. In beauty and variety of pattern and colour the autumnal tints are unsurpassed. The colours pass from deep brown through purple to yellow and white, thrown into relief by the dark green of non-deciduous shrubs and trees. Oaks and wild prunus, wild vines and sumachs, various kinds of maple, the dodan (_Enkianthus Japonicus_ Hook.)--a wonderful bush which in autumn develops a hue of ruddy red--birches and other trees, all add multitudinous colours to the brilliancy of a spectacle which is further enriched by masses of feathery bamboo. The one defect is lack of green sward. The grass used for Japanese lawns loses its verdure in autumn and remains from November to March a greyish-brown blot upon the scene. Spring is supposed to begin in February when, according to the old calendar, the new year sets in, but the only flowers then in bloom are the _camellia japonica_ and some kinds of daphne. The former--called by the Japanese _tsubaki_--may often be seen glowing fiery red amid snow, but the pink (_otome tsubaki_), white (_shiro-tsubaki_) and variegated (_shibori-no-tsubaki_) kinds do not bloom until March or April. Neither the camellia nor the daphne is regarded as a refined flower: their manner of shedding their blossoms is too unsightly. Queen of spring flowers is the plum (_ume_). The tree lends itself with peculiar readiness to the skilful manipulation of the gardener, and is by him trained into shapes of remarkable grace. Its pure white or rose-red blossoms, heralding the first approach of genial weather, are regarded with special favour and are accounted the symbol of unassuming hardihood. The cherry (_sakura_) is even more esteemed. It will not suffer any training, nor does it, like the plum, improve by pruning, but the sunshine that attends its brief period of bloom in April, the magnificence of its flower-laden boughs and the picturesque flutter of its falling petals, inspired an ancient poet to liken it to the "soul of Yamato" (Japan), and it has ever since been thus regarded. The wild peach (_momo_) blooms at the same time, but attracts little attention. All these trees--the plum, the cherry and the peach--bear no fruit worthy of the name, nor do they excel their Occidental representatives in wealth of blossom, but the admiring affection they inspire in Japan is unique. Scarcely has the cherry season passed when that of the wistaria (_fuji_) comes, followed by the azalea (_tsutsuji_) and the iris (_shobu_), the last being almost contemporaneous with the peony (_botan_), which is regarded by many Japanese as the king of flowers and is cultivated assiduously. A species of weeping maple (_shidare-momiji_) dresses itself in peachy-red foliage and is trained into many picturesque shapes, though not without detriment to its longevity. Summer sees the lotus (_renge_) convert wide expanses of lake and river into sheets of white and red blossoms; a comparatively flowerless interval ensues until, in October and November, the chrysanthemum arrives to furnish an excuse for fashionable gatherings. With the exception of the dog-days and the dead of winter, there is no season when flowers cease to be an object of attention to the Japanese, nor does any class fail to participate in the sentiment. There is similar enthusiasm in the matter of gardens. From the 10th century onwards the art of landscape gardening steadily grew into a science, with esoteric as well as exoteric aspects, and with a special vocabulary. The underlying principle is to reproduce nature's scenic beauties, all the features being drawn to scale, so that however restricted the space, there shall be no violation of proportion. Thus the artificial lakes and hills, the stones forming rockeries or simulating solitary crags, the trees and even the bushes are all selected or manipulated so as to fall congruously into the general scheme. If, on the one hand, huge stones are transported hundreds of miles from seashore or river-bed where, in the lapse of long centuries, waves and cataracts have hammered them into strange shapes, and if the harmonizing of their various colours and the adjustment of their forms to environment are studied with profound subtlety, so the training and tending of the trees and shrubs that keep them company require much taste and much toil. Thus the red pine (_aka-matsu_ or _pinus densiflora_), which is the favourite garden tree, has to be subjected twice a year to a process of spray-dressing which involves the careful removal of every weak or aged needle. One tree occupies the whole time of a gardener for about ten days. The details are endless, the results delightful. But it has to be clearly understood that there is here no mention of a flower-garden in the Occidental sense of the term. Flowers are cultivated, but for their own sakes, not as a feature of the landscape garden. If they are present, it is only as an incident. This of course does not apply to shrubs which blossom at their seasons and fall always into the general scheme of the landscape. Forests of cherry-trees, plum-trees, magnolia trees, or _hiyaku-jikko_ (_Lagerstroemia indica_), banks of azalea, clumps of hydrangea, groups of camellia--such have their permanent places and their foliage adds notes of colour when their flowers have fallen. But chrysanthemums, peonies, roses and so forth, are treated as special shows, and are removed or hidden when out of bloom. There is another remarkable feature of the Japanese gardener's art. He dwarfs trees so that they remain measurable only by inches after their age has reached scores, even hundreds, of years, and the proportions of leaf, branch and stem are preserved with fidelity. The pots in which these wonders of patient skill are grown have to be themselves fine specimens of the ceramist's craft, and as much as £200 is sometimes paid for a notably well trained tree. Entry: F
_Flora._--Heavy rainfall, high temperature and fertile soil combine to cover the greater part of the state, and particularly the alluvial regions and the coast swamps, with a most luxuriant subtropical vegetation, both arborescent and herbaceous. Louisiana is justly celebrated for the beauty and fragrance of its flowers. The range of temperature is not sufficient to give the variety of annual wild flowers of more northern climates; nevertheless flowers cover the bottom lands and uplands in great profusion. The upland flora is the more diversified. Flowering annuals are mainly aquatic. Water lilies, water hyacinths, which are an obstruction in many streams, and irises in rich variety give colour to the coast wastes and sombre bayous. Notable among the flora are roses, japonicas, hibiscus shrubs of various species, poinsettias, tea olives, crepe myrtle, jasmines, magnolias, camellias, oleanders, chrysanthemums, geraniums and plumbagos. The value and variety of the timber are very great. Much of the river swamp region is covered with cypress trees festooned with Spanish moss. The most common species in the alluvial regions and, to a less degree, in the drier portions of the swamps and in the stream bottoms of the prairies are various oaks, black, sweet and tupelo gum, holly, cotton-wood, poplar, magnolia sweet bay, the tulip tree, catalpa, black walnut, pecans, hickories, ash, beech and short-leaf pine. On drier and higher soils are the persimmon, sassafras, red maple, elm, black haw, hawthorn, various oaks (in all 10 species occur), hickories and splendid forests of long-leaf and loblolly yellow pine. Entry: LOUISIANA