A line will take us hours maybe; Yet if it does not seem a moment’s thought, Our stitching and unstitching has been naught. Better go down upon your marrow-bones And scrub a kitchen pavement, or break stones Like an old pauper, in all kinds of weather; For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
So long as all is ordered for attack, and that alone, leaders will instinctively increase the number of enemies that they may give their followers something to do.
Had I the heavens' embroidered cloths, Enwrought with the golden and silver light, The blue and the dim and the dark cloths Of night and light and half-light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams beneath your feet; Tread softly because you tread on my dreams.
Talent perceives differences, Genius unity.
Man can embody truth but he cannot know it.
I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest.
All hatred driven hence, The soul recovers radical innocence And learns at last that it is self-delighting, Self-appeasing, self-affrighting, And that its own sweet will is Heaven’s will; She can, though every face should scowl And every windy quarter howl Or every bellows burst, be happy still.
The Gurus of Unix Meeting of Minds (GUMM) takes place Wednesday, April 1, 2076 (check THAT in your perpetual calendar program), 14 feet above the ground directly in front of the Milpitas Gumps. Members will grep each other by the hand (after intro), yacc a lot, smoke filtered chroots in pipes, chown with forks, use the wc (unless uuclean), fseek nice zombie processes, strip, and sleep, but not, we hope, od. Three days will be devoted to discussion of the ramifications of whodo. Two seconds have been allotted for a complete rundown of all the user- friendly features of Unix. Seminars include "Everything You Know is Wrong", led by Tom Kempson, "Batman or Cat:man?" led by Richie Dennis "cc C? Si! Si!" led by Kerwin Bernighan, and "Document Unix, Are You Kidding?" led by Jan Yeats. No Reader Service No. is necessary because all GUGUs (Gurus of Unix Group of Users) already know everything we could tell them. -- "Get GUMMed," Dr. Dobb's Journal, June '84
The man who understands one woman is qualified to understand pretty well everything. -- Yeats</p>
The worst thing about some men is that when they are not drunk they are sober. -- William Butler Yeats</p>
The age has not been particularly well attuned to the efforts of the newer poets since Coventry Patmore in the _Angel in the House_ achieved embroidery, often extremely beautiful, upon the Tennysonian pattern, and since Edward FitzGerald, the first of all letter-writing commentators on life and letters since Lamb, gave a new cult to the decadent century in his version of the Persian centoist Omar Khayyam. The prizes which in Moore's day were all for verse have now been transferred to the prose novel and the play, and the poets themselves have played into the hands of the Philistines by disdaining popularity in a fond preference for virtuosity and obscurity. Most kinds of the older verse, however, have been well represented, descriptive and elegiac poetry in particular by Robert Bridges and William Watson; the music of the waters of the western sea and its isles by W.B. Yeats, Synge, Moira O'Neill, "Fiona Macleod" and an increasing group of Celtic bards; the highly wrought verse of the 17th-century lyrists by Francis Thompson, Lionel Johnson, Ernest Dowson; the simplicity of a more popular strain by W.H. Davies, of a brilliant rhetoric by John Davidson, and of a more intimate romance by Sturge Moore and Walter de la Mare. Light verse has never, perhaps, been represented more effectively since Praed and Calverley and Lewis Carroll than by Austin Dobson, Locker Lampson, W.S. Gilbert and Owen Seaman. The names of C.M. Doughty, Alfred Noyes, Herbert Trench and Laurence Binyon were also becoming prominent at the opening of the 20th century. For originality in form and substance the palm rests in all probability with A.E. Housman, whose _Shropshire Lad_ opens new avenues and issues, and with W.E. Henley, whose town and hospital poems had a poignant as well as an ennobling strain. The work of Henry Newbolt, Mrs. Meynell and Stephen Phillips showed a real poetic gift. Above all these, however, in the esteem of many reign the verses of George Meredith and of Thomas Hardy, whose _Dynasts_ was widely regarded by the best judges as the most remarkable literary production of the new century. Entry: VI
A life of Blake, with selections from his works, by Alexander Gilchrist, was published in 1863 (new edition by W.G. Robertson, 1906); in 1868 A.C. Swinburne published a critical essay on his genius, remarkable for a full examination of the Prophetic Books, and in 1874 William Michael Rossetti published a memoir prefixed to an edition of the poems. In 1893 appeared _The Works of William Blake_, edited by E.J. Ellis and W.B. Yeats. But for a long time all the editors paid too little attention to a correct following of Blake's own MSS. The text of the poems was finally edited with exemplary care and thoroughness by John Sampson in his edition of the _Poetical Works_ (1905), which has rescued Blake from the "improvements" of previous editors. See also _The Letters of_ ~~ _William Blake, together with a Life by Frederick Tatham_; edited by A.G.B. Russell (1906); and Basil de Selincourt, _William Blake_ (1909). (J. C. C.) Entry: A
The impulse to which were due the Independent theatre, the Stage Society and the Vedrenne-Barker management, combined with local influences to bring about the foundation in Dublin of the Irish National theatre. Its moving spirit was the poet W. B. Yeats (b. 1865), who wrote for it _Cathleen-ni-Hoolihan_, _The Hour-Glass_, _The King's Threshold_ and one or two other plays. Lady Gregory, Padraic Collum, Boyle and other authors also contributed to the repertory of this admirable little theatre; but its most notable products were the plays of J. M. Synge (1871-1909), whose _Riders to the Sea_, _Well of the Saints_ and _Playboy of the Western World_ showed a fine and original dramatic faculty combined with extraordinary beauty of style. Entry: P
During the last months of his life Carleton began an autobiography which he brought down to the beginning of his literary career. This forms the first part of _The Life of William Carleton_ ... (2 vols., 1896), by D.J. O'Donoghue, which contains full information about lis life, and a list of his scattered writings. A selection from his stories (1889), in the "Camelot Series," has an introduction by Mr W.B. Yeats. He must not be confused with Will Carleton (b. 1845), the American author of _Farm Ballads_ (1873). Entry: CARLETON