Often when we think we are knotting one thread, we are tying quite another.
"Eh well! How then?" demanded madame, tying another knot, as if there were another enemy strangled.
"Yes, when a fellow's soaked through, it's hard to be sensible, that's a fact. And I am about drenched with this spray. Never mind; catch the turn there, and pass it. Seems to me we are lashing down these anchors now as if they were never going to be used again. Tying these two anchors here, Flask, seems like tying a man's hands behind him. And what big generous hands they are, to be sure. These are your iron fists, hey? What a hold they have, too! I wonder, Flask, whether the world is anchored anywhere; if she is, she swings with an uncommon long cable, though. There, hammer that knot down, and we've done. So; next to touching land, lighting on deck is the most satisfactory. I say, just wring out my jacket skirts, will ye? Thank ye. They laugh at long-togs so, Flask; but seems to me, a Long tailed coat ought always to be worn in all storms afloat. The tails tapering down that way, serve to carry off the water, d'ye see. Same with cocked hats; the cocks form gable-end eave-troughs, Flask. No more monkey-jackets and tarpaulins for me; I must mount a swallow-tail, and drive down a beaver; so. Halloa! whew! there goes my tarpaulin overboard; Lord, Lord, that the winds that come from heaven should be so unmannerly! This is a nasty night, lad."
The exposition, which may be short or long, but which should always prepare and may even seem to necessitate the action, ends when the movement of the action itself begins. This transition may occasionally be marked with the utmost distinctness (as in the actual meeting between the hero and the Ghost in _Hamlet_), while in other instances subsidiary action or episode may judiciously intervene (as in _King Lear_, where the subsidiary action of Gloster and his sons opportunely prevents too abrupt a sequence of cause and effect). From this point the second stage of the action--its "growth"--progresses to that third stage which is called its "height" or "climax." All that has preceded the attainment of this constitutes that half of the drama--usually its much larger half--which Aristotle terms the [Greek: desis], or tying of the knot. The varieties in the treatment of the growth or second stage of the action are infinite; it is here that the greatest freedom is manifestly permissible; that in the Indian drama the personages make long journeys across the stage; and that, with the help of their under-plots, the masters of the modern tragic and the comic drama--notably those unequalled weavers of intrigues, the Spaniards--are able most fully to exercise their inventive faculties. If the growth is too rapid, the climax will fail of its effect; if it is too slow, the interest will be exhausted before the greatest demand upon it has been made--a fault to which comedy is specially liable; if it is involved or inverted, a vague uncertainty will take the place of an eager or agreeable suspense, the action will seem to halt, or a fall will begin prematurely. In the contrivance of the "climax" itself lies one of the chief tests of the dramatist's art; for while the transactions of real life often fail to reach any climax at all, that of a dramatic action should present itself as self-evident. In the middle of everything, says the Greek poet, lies the strength; and this strongest or highest point it is the task of the dramatist to make manifest. Much here depends upon the niceties of constructive instinct; much (as in all parts of the action) upon a thorough dramatic transformation of the subject. The historical drama at this point presents peculiar difficulties, of which the example of _Henry VIII._ may be cited as an illustration. Entry: 1
The verbal spells were always accompanied by some manual performance, the tying of magical knots or the preparation of an amulet. In these acts particular significance was attached to certain numbers: a sevenfold knot, for example, was more efficacious than others. Often the formula was written on a strip of rag or a scrap of papyrus and tied round the neck of the person for whom it was intended. Beads and all kinds of amulets could be infused with magical power so as to be potent phylacteries to those who wore them. Entry: 6
Cessation of bleeding may take place from natural or from artificial means. Natural arrest of haemorrhage arises from (1) the coagulation of the blood itself, (2) the diminution of the heart's action as in fainting, (3) changes taking place in the cut vessel causing its retraction and contraction. In the surgical treatment of haemorrhage minor means of arresting bleeding are: cold, which is most valuable in general oozing and local extravasations; very hot water, 130° to 160° F., a powerful haemostatic; position, such as elevation of the limb, valuable in bleeding from the extremities; styptics or astringents, applied locally, as perchloride of iron, tannic acid and others, the most valuable being suprarenal extract. In arresting haemorrhage temporarily the chief thing is to press directly on the bleeding part. The pressure to be effectual need not be severe, but must be accurately applied. If the bleeding point cannot be reached, the pressure should be applied to the main artery between the bleeding point and the heart. In small blood-vessels pressure will be sufficient to arrest haemorrhage permanently. In large vessels it is usual to pass a ligature round the vessel and tie it with a reef-knot. Apply the ligature, if possible, at the bleeding point, tying both ends of the cut vessel. If this cannot be done, the main artery of the limb must be exposed by dissection at the most accessible point between the wound and the heart, and there ligatured. Entry: HAEMORRHAGE
To illustrate this opinion, his work on the ligature may be taken. It had long been the universal practice of surgeons to employ threads of silk or flax for tying arteries, long ends being left to provide escape of the pus (invariably formed during the tedious process of the separation of the ligature) together with the portion of the arterial coats included in the knot. Lister hoped that if, by antiseptic means, the thread were deprived of living microbes, it would no longer cause suppuration, but might be left with short cut ends to become embedded permanently among the tissues of the wound, which thus would be allowed to heal by primary union throughout. A trial of this method upon the carotid artery of a horse having proved perfectly successful, he applied it in a case of aneurysm in the human subject; and here again the immediate results were all that could be desired. But a year later, the patient having died from other causes, the necropsy showed remnants of the silk thread incompletely absorbed, with appearances around them which seemed to indicate that they had been acting as causes of disturbance. Thus was suggested to him the idea of employing for the ligature some material susceptible of more speedy absorption; and the antiseptic treatment of contused wounds having shown that dead tissue, if protected from putrefaction, is removed by the surrounding structures without the intervention of suppuration, he resolved to try a thread of some such nature. Catgut, which is prepared from one of the constituents of the small intestine of the sheep, after steeping in a solution of carbolic acid, was used in a preliminary trial upon the carotid artery of a calf. The animal was killed a month later, when, on dissection, a very beautiful result was disclosed. The catgut, though removed, had not been simply absorbed; pari passu with its gradual removal, fibrous tissue of new formation had been laid down, so that in place of the dead catgut was seen a living ligature embracing the artery and incorporated with it. The wound meanwhile had healed without a trace of suppuration. This success appeared to justify the use of the catgut ligature in the human subject, and for a while the results were entirely satisfactory. But though this was the case with the old samples of catgut first employed, which, as Lister was afterwards led to believe, had been "seasoned" by long keeping, it was found that when catgut was used fresh as it comes from the makers, it was unsuited in various ways for surgical purposes. The attempt by special preparation to obtain an article in all respects trustworthy engaged his attention from time to time for years afterwards. To quote the words of Sir Hector Cameron, who was for several years assistant to Lord Lister, it required "labour and toilsome investigation and experiment of which few can have any adequate idea." Entry: LISTER
_Reef Knot_ (figs. 3, 4).--Form an overhand knot as above. Then take the end _a_ over the end _b_ and through the bight. If the end _a_ were taken under the end _b_, a _granny_ would be formed. This knot is so named from being used in tying the reef-points of a sail. Entry: KNOT