Despite widespread attemps to equate human captives with domestic animals and even to market them and price them the same way <...> slaves were fortunately never held long enough in a distinctive group to undergo genetic neoteny <...>. Yet a kind of neoteny was clearly the goal of many slaveholders, even if they lacked a scientific understanding of how domestication changed the nature and behavior of animals. Aristotle's ideal of the "natural slave" was very close to what a human being would be like if subjected to a genetic change similar to that of domesticated plants and animals.
Not only does every animal live at the expense of some other animal or plant, but the very plants are at war.... The individuals of a species are like the crew of a foundered ship, and none but good swimmers have a chance of reaching the land.
With conglomerates selling companies to liquidators, who close down plants and move to non-union areas, it’s about time progressive union leaders step in to stop such job-losing tactics.… ESOP should become a part of future bargaining packages! [President Local 1729, U.S. Steel Workers Union, June 7, 1975.]
We assume that a large brain, the use of tools, superior learning abilities and complex social structures are huge advantages. It seems self-evident that these have made humankind the most powerful animal on earth. But humans enjoyed all of these advantages for a full 2 million years during which they remained weak and marginal creatures. Thus humans who lived a million years ago, despite their big brains and sharp stone tools, dwelt in constant fear of predators, rarely hunted large game, and subsisted mainly by gathering plants, scooping up insects, stalking small animals, and eating the carrion left behind by other more powerful carnivores.
Arbores serit diligens agricola, quarum aspiciet baccam ipse nunquam=--The industrious husbandman plants trees, not one berry of which he will ever see.
He only is our true good, and since we have left him, it is strange that there is nothing in nature which has not served to take his place; neither the stars, nor heaven, earth, the elements, plants, cabbages, leeks, animals, insects, calves, serpents, fever, pestilence, war, famine, vices, adultery, incest. And since he has lost the true good, all things can equally appear good to him, even his own destruction, though so contrary to God, to reason, and to the whole course of nature.
And because the breath of flowers is far sweeter in the air (where it comes and goes, like the warbling of music) than in the hand, therefore nothing is more fit for that delight than to know what be the flowers and plants that do best perfume the air.
Because writers have had no knowledge of the science of painting, they have not been able to {61} describe its gradations and parts, and since painting itself does not reveal itself nor its artistic work in words, it has remained, owing to ignorance, behind the sciences mentioned above, but it has thereby lost nothing of its divinity. And truly it is not without reason that men have failed to honour it, because it does honour to itself without the aid of the speech of others, just as do the excellent works of nature. And if the painters have not described the art of painting, and reduced it to a science, the fault must not be imputed to painting and it is no less noble on that account, since few painters profess a knowledge of letters, as their life would not be long enough for them to acquire such knowledge. Therefore we ask, Is the virtue of herbs, stones and plants non-existent because men have been ignorant of it? Certainly not; but we will say that these herbs remained noble in themselves without the aid of human tongues or letters.
Let us now suppose the child come to man's estate in the condition of a wandering savage, dependent for his food upon what he can pick up or catch, after the fashion of the Australian aborigines. It is plain that the place of mother, as the supplier of vital capital, is now taken by the fruits, seeds, and roots of plants and by various kinds of animals....
For I think it will be admitted, that the germs brought to us by meteorites, if any, were not ova of elephants, nor of crocodiles; not cocoa-nuts nor acorns; not even eggs of shell-fish and corals; but only those of the lowest forms of animal and vegetable life. Therefore, since it is proved that, from a very remote epoch of geological time, the earth has been peopled by a continual succession of the higher forms of animals and plants, these either must have been created, or they have arisen by evolution. And in respect of certain groups of animals, the well-established facts of palaeontology leave no rational doubt that they arose by the latter method.
Our ideas, like orange-plants, spread out in proportion to the size of the box which imprisons the roots.--_Bulwer-Lytton._
'Tis only in the forehead Nature plants the watchful eye; the back, without defence, must find its shield in man's fidelity.
Painting has a wider intellectual range and is more wonderful and greater as regards its artistic resources than sculpture, because the painter is by necessity constrained to amalgamate his mind with the very mind of nature and to be the interpreter between nature and art, making with art a commentary on the causes of nature's manifestations which are the inevitable result of its laws; and showing in what way the likenesses of objects which surround the eye correspond with the true images of the pupil of the eye, and showing among objects of equal size which of them will appear more or less dark, or more or less clear; and among objects equally low which of them will appear more or less low; or among those of the same height which of them will appear more or less high; or among objects of equal size {99} placed at various distances one from the other, why some will appear more clearly than others. And this art embraces and comprehends within itself all visible things, which sculpture in its poverty cannot do: that is, the colours of all objects and their gradations; it represents transparent objects, and the sculptor will show thee natural objects without the painter's devices; the painter will show thee various distances with the gradations of colour producing interposition of the air between the objects and the eye; he will show thee the mists through which the character of objects is with difficulty descried; the rains which clouded mountains and valleys bring with them; the dust which is inherent to and follows the contention between these forces; the rivers which are great or small in volume; the fishes disporting themselves on the surface or at the bottom of these waters; the polished pebbles of various colours which are collected on the washed sands at bottom of rivers surrounded by floating plants beneath the surface of the water; the stars at diverse heights above us; and in the same manner other innumerable effects to which sculpture cannot attain.
Thy children like olive plants round about thy table.
He that plants thorns must never expect to gather roses.
There is another fallacy which appears to me to pervade the so-called "ethics of evolution." It is the notion that because, on the whole, animals and plants have advanced in perfection of organization by means of the struggle for existence and the consequent "survival of the fittest"; therefore men in society, men as ethical beings, must look to the same process to help them towards perfection. I suspect that this fallacy has arisen out of the unfortunate ambiguity of the phrase "survival of the fittest." "Fittest" has a connotation of "best"; and about "best" there hangs a moral flavour. In cosmic nature, however, what is "fittest" depends upon the conditions. Long since, I ventured to point out that if our hemisphere were to cool again, the survival of the fittest might bring about, in the vegetable kingdom, a population of more and more stunted and humbler and humbler organisms, until the "fittest" that survived might be nothing but lichens, diatoms, and such microscopic organisms as those which give red snow its colour; while, if it became hotter, the pleasant valleys of the Thames and Isis might be uninhabitable by any animated beings save those that flourish in a tropical jungle. They, as the fittest, the best adapted to the changed conditions, would survive.
Serit arbores qu? alteri s?culo prosint=--He plants trees for the benefit of a future generation.
Your thought advocates fame and show. Mine counsels me and implores me to cast aside notoriety and treat it like a grain of sand cast upon the shore of eternity. Your thought instills in your heart arrogance and superiority. Mine plants within me love for peace and the desire for independence. Your thought begets dreams of palaces with furniture of sandalwood studded with jewels, and beds made of twisted silk threads. My thought speaks softly in my ears, "Be clean in body and spirit even if you have nowhere to lay your head." Your thought makes you aspire to titles and offices. Mine exhorts me to humble service.
As aromatic plants bestow No spicy fragrance while they grow; But crush'd or trodden to the ground, Diffuse their balmy sweets around.
I've never seen anybody really find the answer — they think they have, so they stop thinking. But the job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
The grasses and plants will be paler in proportion as the soil which nourishes them is leaner and devoid of moisture; the earth is leaner and less rich in moisture on the rocks of which the mountains are formed. And the trees will be smaller and thinner in proportion as they are nearer to the summit of the mountain; and the soil is leaner in proportion as it is nearer to the said summit, and it is richer in proportion as it is nearer the hollow valleys. Therefore, O painter, {126} thou shalt represent rocks on the summits of the mountains--for they are composed of rocks--for the greater part devoid of soil, and the plants which grow there are small and lean and for the greater part withered and dry from lack of moisture, and the sandy and lean earth is seen through the faded plants; and the small plants are stunted and aged, exiguous in size, with short and thick boughs and few leaves; they cover for the greater part the rust-coloured and dry roots, and are interwoven in the strata and the fissures of the rugged rocks, and issue from trunks maimed by men or by the winds; and in many places you see the rocks surmounting the summits of the high mountains, covered with a thin and faded moss; and in some places their true colour is laid bare and made visible owing to the percussion of the lightnings of Heaven, whose course is often obstructed to the damage of these rocks.
How did these isolated patches of a northern population get into these deep places? To explain the mystery, Forbes called to mind the fact that, in the epoch which immediately preceded the present, the climate was much colder (whence the name of "glacial epoch" applied to it); and that the shells which are found fossil, or sub-fossil, in deposits of that age are precisely such as are now to be met with only in the Scandinavian, or still more Arctic, regions. Undoubtedly, during the glacial epoch, the general population of our seas had, universally, the northern aspect which is now presented only by the "northern outliers"; just as the vegetation of the land, down to the sea-level, had the northern character which is, at present, exhibited only by the plants which live on the tops of our mountains. But, as the glacial epoch passed away, and the present climatal conditions were developed, the northern plants were able to maintain themselves only on the bleak heights, on which southern forms could not compete with them. And, in like manner, Forbes suggested that, after the glacial epoch, the northern animals then inhabiting the sea became restricted to the deeps in which they could hold their own against invaders from the south, better fitted than they to flourish in the warmer waters of the shallows. Thus depth in the sea corresponded in its effect upon distribution to height on the land.
Painting is mute poetry, and poetry is blind painting. Therefore these two forms of poetry, or rather these two forms of painting, have exchanged the senses through which they should reach the intellect. Because if they are both of them painting, they must reach the brain by the noblest sense, namely, the eye; if they are both of them poetry, they must reach the brain by the less noble sense, that is, the hearing. Therefore we will appoint the man born deaf to be judge of painting, and the man born blind to be judge of poetry; and if in the painting the movements are appropriate {70} to the mental attributes of the figures which is are engaged in any kind of action, there is no doubt that the deaf man will understand the action and intentions of the figures, but the blind man will never understand what the poet shows, and what constitutes the glory of the poetry; since one of the noblest functions of its art is to describe the deeds and the subjects of stories, and adorned and delectable places with transparent waters in which the green recesses of their course can be seen as the waves disport themselves over meadows and fine pebbles, and the plants which are mingled with them, and the gliding fishes, and similar descriptions, which might just as well be made to a stone as to a man born blind, since he has never seen that which composes the beauty of the world, that is, light, darkness, colour, body, shape, place, distance, propinquity, motion and rest, which are the ten ornaments of nature.
On the face of the matter it is not obvious that the brilliant poet had less chance of doing good service in natural science than the dullest of dissectors and nomenclators. Indeed, as I have endeavoured to indicate, there was considerable reason, a hundred years ago, for thinking that an infusion of the artistic way of looking at things might tend to revivify the somewhat mummified body of technical zoology and botany. Great ideas were floating about; the artistic apprehension was needed to give these airy nothings a local habitation and a name; to convert vague suppositions into definite hypotheses. And I apprehend that it was just this service which Goethe rendered by writing his essays on the intermaxillary bone, on osteology generally, and on the metamorphoses of plants.
God moves in a mysterious way, His wonders to perform; He plants his footsteps in the sea, And rides upon the storm.
Now seest thou not that the eye comprehends the beauty of the whole world? It is the head of astrology; it creates cosmography; it gives counsel and correction to all the human arts; it impels {84} men to seek diverse parts of the world; it is the principle of mathematics; its science is most certain; it has measured the height and the magnitude of the stars; it has discovered the elements and their abodes; it has been able to predict the events of the future, owing to the course of the stars; it has begotten architecture and perspective and divine painting. O most excellent above all the things created by God! What praise is there which can express thy nobility? What peoples, what tongues, are they who can perfectly describe thy true working? It is the window of the human body, through which the soul gazes and feasts on the beauty of the world; by reason of it the soul is content with its human prison, and without it this human prison is its torment; and by means of it human diligence has discovered fire by which the eye wins back what the darkness has stolen from it. It has adorned nature with agriculture and pleasant gardens. But what need is there for me to indulge in long and elevated discourse? What thing is there which acts not by reason of the eye? It impels men from the East to the West; it has discovered navigation; and in this it excels nature, because the simple products of the earth are finite and the works which the eye makes over to the hands are infinite, as the painter shows in his portrayal of countless forms of animals, herbs, plants and places.
There is, nevertheless, a certain respect and a general duty of humanity that ties us, not only to beasts that have life and sense, but even to trees and plants.
There are plants on the earth, we see them, but they could not be seen from the moon. On these plants are hairs, and in these hairs tiny animals, but beyond that, nothing more. O, presumption! Compound bodies are made up of elements, but not the elementary bodies themselves. O presumption! Here is a fine distinction. We must not assert the existence of what we cannot see, we must then say what others say, but not think with them.
God moves in a mysterious way His wonders to perform; He plants his footsteps in the sea And rides upon the storm.
The problems of the world cannot possibly be solved by skeptics or cynics whose horizons are limited by the obvious realities. We need men who can dream of things that never were. Kelso, Louis O. [From “Karl Marx: The Almost Capitalist,” American Bar Association Journal , March 1957.]: Error No. 2: Marx’s Failure to Understand the Political Significance of Property. Before examining Marx’s second critical error, it may be helpful to take note of what the concept “property” means in law and economics. It is an aggregate of the rights, powers and privileges, recognized by the laws of the nation, which an individual may possess with respect to various objects. Property is not the object owned, but the sum total of the “rights” which an individual may “own” in such an object. These in general include the rights of (1) possessing, (2) excluding others, (3) disposing or transferring, (4) using, (5) enjoying the fruits, profits, product or increase, and (6) of destroying or injuring, if the owner so desires. In a civilized society, these rights are only as effective as the laws which provide for their enforcement. The English common law, adopted into the fabric of American law, recognizes that the rights of property are subject to the limitations that (1) things owned may not be so used as to injure others or the property of others, and (2) that they may not be used in ways contrary to the general welfare of the people as a whole. From this definition of private property, a purely functional and practical understanding of the nature of property becomes clear. Property in everyday life, is the right of control. Property in Land. With respect to property in land, we need merely note that the acquisition of an original title to land from a sovereign is a political act, and not the result of operations of the economy. If the original distribution of land unduly favors any group or type or persons, it is a political defect and not a defect in the operation of the economy as such. A capitalistic economy assumes and recognizes the private ownership of land. It may, as under the federal and state mining laws and federal homestead acts, encourage private ownership of land by facilitating private purchasing of mining, timber, agricultural, residential or recreational lands. Property in Capital. In a capitalistic economy, private ownership in all other articles of wealth is equal in importance to property in land. From the standpoint of the distributive aspects of a capitalistic economy, property in capital–the tools, machinery, equipment, plants, power systems, railroads, trucks, tractors, factories, financial working capital and the like–is of special significance. This is true because of the growing dependence of production upon capital instruments. Of the three components of production land is the passive1 source of almost all material things except those which come from the air and the sea, while labor and capital are the active factors of production. Labor and capital produce the goods and services of the economy, using raw materials obtained, for the most part, from land. Just as private property in land includes the right to all rents, the proceeds of sale of minerals and other elements or substances contained in land, private property in capital includes the right to the wealth produced by capital. The value added to iron ore by the capital instruments of a steel mill becomes the property of the owners of the steel mill. So in the case of all other capital instruments. Property in Labor. What is the relationship of the worker to the value which he creates through his work? It has been said that no one has ever questioned the right of a worker to the fruits of his labor. Actually, as was long ago recognized by John Locke and Jean Jacques Rousseau, the right of the worker to the value he creates is nothing more than the particular type of private property applicable to labor. Each worker, they said, has a right of private property in his capacity to produce wealth through his labor and in the value which he creates.
Thus, the singular conclusion is forced upon us, that the greater and the smaller sacs of the "Better-Bed" and other coals, in which the primitive structure is well preserved, are simply the sporangia and spores of certain plants, many of whicn were closely allied to the existing club-mosses. And if, as I believe, it can be demonstrated that ordinary coal Is nothing but "saccular" coal which has undergone a certain amount of that alteration which, if continued, would convert it into anthracite; then, the conclusion is obvious, that the great mass of the coal we burn is the result of the accumulation of the spores and spore-cases of plants, other parts of which have furnished the carbonized stems and the mineral charcoal, or have left their impressions on the surfaces of the layer.
O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified.
Natural abilities are like natural plants, that need pruning by study; and studies themselves do give forth directions too much at large, except they be bounded in by experience.
If you despise painting, which is the only imitator of the visible works of nature, you will certainly despise a subtle invention which with philosophy and subtle speculation apprehends the qualities of forms, backgrounds, places, plants, animals, herbs and flowers, which are surrounded by light and shade. And truly this is knowledge and the legitimate offspring of nature, because painting is begotten by nature. But to be correct, we will say that it is the grandchild of nature, because all visible things are begotten by nature, and these her children have begotten painting. Therefore we shall rightly say that painting is the grandchild of nature and related to God.
Bos lassus fortius figit pedem=--The tired ox plants his foot more firmly.
Pythagoras used to say that he had received as a gift from Mercury the perpetual transmigration of his soul, so that it was constantly transmigrating and passing into all sorts of plants or animals.
The great fault of all ethics hitherto has been that they believed themselves to have to deal only with the relations of man to man. In reality, however, the question is what is his attitude to the world and all life that comes within his reach. A man is ethical only when life, as such, is sacred to him, and that of plants and animals as that of his fellow men, and when he devotes himself helpfully to all life that is in need of help. Only the universal ethic of the feeling of responsibility in an ever-widening sphere for all that lives only that ethic can be founded in thought. The ethic of Reverence for Life, therefore, comprehends within itself everything that can be described as love, devotion, and sympathy whether in suffering, joy, or effort.
During the same time it gradually became evident that the presence of sugar was essential to the production of alcohol and the evolution of carbonic acid gas, which are the two great and conspicuous products of fermentation. And finally, in 1787, the Italian chemist, Fabroni, made the capital discovery that the yeast ferment, the presence of which is necessary to fermentation, is what he termed a "vegeto-animal" substance; that is, a body which gives off ammoniacal salts when it is burned, and is, in other ways, similar to the gluten of plants and the albumen and casein of animals.