Nature does not cocker us; we are children, not pets; she is not fond; everything is dealt to us without fear or favour, after severe, universal laws.
Thus the word "inhuman", in this book's title, refers to the unconscionable and unsuccessful goal of bestializing (in the form of pets as well as beasts of burden) a class of human beings.
THE LESSER-KNOWN PROGRAMMING LANGUAGES #15 -- DOGO Developed at the Massachusetts Institute of Obedience Training, DOGO DOGO heralds a new era of computer-literate pets. DOGO commands include SIT, STAY, HEEL, and ROLL OVER. An innovative feature of DOGO is "puppy graphics", a small cocker spaniel that occasionally leaves a deposit as it travels across the screen.
Daytimes we paddled all over the island in the canoe, It was mighty cool and shady in the deep woods, even if the sun was blazing outside. We went winding in and out amongst the trees, and sometimes the vines hung so thick we had to back away and go some other way. Well, on every old broken-down tree you could see rabbits and snakes and such things; and when the island had been overflowed a day or two they got so tame, on account of being hungry, that you could paddle right up and put your hand on them if you wanted to; but not the snakes and turtlesthey would slide off in the water. The ridge our cavern was in was full of them. We could a had pets enough if we'd wanted them.
"Yeseasy enough. Every animal is grateful for kindness and petting, and they wouldn't _think_ of hurting a person that pets them. Any book will tell you that. You trythat's all I ask; just try for two or three days. Why, you can get him so, in a little while, that he'll love you; and sleep with you; and won't stay away from you a minute; and will let you wrap him round your neck and put his head in your mouth."
I had forgotten the strange pets which the doctor affected. There was a cheetah, too; perhaps we might find it upon our shoulders at any moment. I confess that I felt easier in my mind when, after following Holmes' example and slipping off my shoes, I found myself inside the bedroom. My companion noiselessly closed the shutters, moved the lamp onto the table, and cast his eyes round the room. All was as we had seen it in the daytime. Then creeping up to me and making a trumpet of his hand, he whispered into my ear again so gently that it was all that I could do to distinguish the words:
The species appear to be similar in their habits. They live in woods and rocky places, and spend most of their time in trees, although descending to the ground in quest of prey. They climb with great facility, and are agile and graceful in their movements. Some are said occasionally to resort to berries and other fruit for food, but as a rule they are carnivorous, feeding chiefly on birds and their eggs, small mammals, as squirrels, hares, rabbits and moles, but chiefly mice of various kinds, and occasionally snakes, lizards and frogs. In proportion to their size they are among the most bloodthirsty of animals, though less so than the weasels. The female makes her nest of moss, dried leaves and grass in the hollow of a tree, but sometimes in a hole among rocks or ruined buildings, and produces several young at a birth, usually from four to six. Though wild and untameable to a great degree if captured when fully grown, if taken young they are docile, and have frequently been made pets, not having the strong unpleasant odour of the smaller _Mustelidae_. The pine-marten appears to have been partially domesticated by the Greeks and Romans, and used to keep houses clear from rats and mice. In the same way, according to Brian Hodgson, the yellow-bellied weasel (_Putorius kathia_) "is exceedingly prized by the Nepalese for its service in ridding houses of rats. It is easily tamed; and such is the dread of it common to all murine animals that not one will approach a house where it is domiciled." It is, however, to the great value attached to the pelts of these animals that their importance to man is chiefly due. Though all yield fur of serviceable quality, the commercial value varies immensely, not only according to the species from which it is obtained, but according to individual variation, depending upon age, sex, season, and other circumstances. The skins from northern regions are more full and of a finer colour and gloss than those from more temperate climates, as are those of animals killed in winter compared to the same individuals in summer. Fashion has, moreover, set fictitious values upon slight shades of colour. Enormous numbers of animals are caught, chiefly in traps, to supply the demand of the fur trade, Siberia and North America being the principal localities from which they are obtained. Entry: MARTEN
_Domestic Animals and Birds._--The farmer kept up a large stock of animals: in the houses there were pets and in the temples sacred creatures of many kinds. Goats browsed on the trees and herbage at the edge of the desert. Sheep of a peculiar breed with horizontal twisted horns and hairy coat are figured on the earliest monuments: a more valuable variety, woolly with curved horns, made its appearance in the Middle Kingdom and pushed out the older form: sheep were driven into the ploughed fields to break the clods and trample in the seed. The oxen were long-horned, short-horned and polled. They drew the plough, trampled the corn sheaves round the circular threshing floor, and were sometimes employed to drag heavy weights. The pig is rarely figured and was less and less tolerated as the Egyptians grew in ceremonial purity. A variety of wild animals caught in the chase were kept alive and fed for slaughter. Geese and ducks of different sorts were bred in countless numbers by the farmers, also pigeons and quails, and in the early ages cranes. The domestic fowl was unknown in Egypt before the Deltaic dynasties, but Diodorus in the first century B.C. describes how its eggs were hatched artificially, as they are at the present day. Bee-keeping, too, must have been a considerable industry, though dates furnished a supply of sweetening material. Entry: B
The eldest member of the family who acquired fame was JACOB GERRITSZ CUYP, born it is said at Dordrecht in 1575, and taught by Abraham Bloemaert of Utrecht. He is known to have been alive in 1649, and the date of his death is obscure. J. G. Cuyp's pictures are little known. But he produced portraits in various forms, as busts and half-lengths thrown upon plain backgrounds, or groups in rooms, landscapes and gardens. Solid and clever as an imitator of nature in its ordinary garb, he is always spirited, sometimes rough, but generally plain, and quite as unconscious of the sparkle conspicuous in Frans Hals as incapable of the concentrated light-effects peculiar to Rembrandt. In portrait busts, of which there are signed examples dated 1624, 1644, 1646 and 1649, in the museums of Berlin, Rotterdam, Marseilles, Vienna and Metz, his treatment is honest, homely and true; his touch and tone firm and natural. In portraying children he is fond of introducing playthings and pets--a lamb, a goat or a roedeer; and he reproduces animal life with realistic care. In a family scene at the Amsterdam Museum we have likenesses of men, women, boys and girls with a cottage and park. In the background is a coach with a pair of horses. These examples alone give us a clue to the influences under which Albert Cuyp grew up, and explain to some extent the direction which his art took as he rose to manhood. Entry: CUYP
The dog was of many varieties as early as the XIIth Dynasty, when the greyhound and turnspit and other well-marked forms are seen. The cat was sometimes trained by the sportsman to catch birds. Monkeys were commonly kept as pets. The sacred beasts in the various temples, tame as far as possible, were of almost every conceivable variety, from the vulture to the swallow or the goose, from the lion to the shrew-mouse, from the hippopotamus to the sheep and the monkey, from the crocodile to the tortoise and the cobra, from the carp to the eel; the scorpion and the scarab beetle were perhaps the strangest in this strange company of deities. Entry: B
Landseer was elected a Royal Academician in 1831. "Chevy Chase" (1826), which is at Woburn, "The Highland Whisky Still" (1829), "High Life" (1829) and "Low Life" (1829), besides other important works, had appeared in the interval. Landseer had by this time attained such amazing mastery that he painted "Spaniel and Rabbit" in two hours and a half, and "Rabbits," which was at the British Institution, in three-quarters of an hour; and the fine dog-picture "Odin" (1836) was the work of one sitting, i.e. painted within twelve hours. But perhaps the most wonderful instance of his rapid but sure and dexterous brush-handling was "The Cavalier's Pets" (1845), the picture of two King Charles's spaniels in the National Gallery, which was executed in two days. Another remarkable feat consisted in drawing, simultaneously, a stag's head with one hand and a head of a horse with the other. "Harvest in the Highlands," and that masterpiece of humour, "Jack in Office," were exhibited in 1833. In 1834 a noble work of sentiment was given to the world in "Suspense," which is now at South Kensington, and shows a dog watching at the closed door of his wounded master. Many think this to be Landseer's finest work, others prefer "The Old Shepherd's Chief Mourner" (1837). The over-praised and unfortunate "Bolton Abbey in the Olden Time," a group of portraits in character, was also shown in 1834, and was the first picture for which the painter received £400. A few years later he sold "Peace" and "War" for £1500, and for the copyrights alone obtained £6000. In 1881 "Man proposes, God Disposes" (1864) was resold for 6300 guineas, and a cartoon of "The Chase" (1866) fetched 5000 guineas. "A Distinguished Member of the Humane Society," a dog reclining on a quay wall (1838), was succeeded by "Dignity and Impudence" (1839). The "Lion Dog of Malta," and "Laying down the Law" appeared in 1840. In 1842 was finished the capital "Highland Shepherd's Home" (Sheepshanks Gift), together with the beautiful "Eos," a portrait of Prince Albert's most graceful of greyhounds, to which Thomas Landseer added an ineffable charm and solidity not in the painting. The "Rout of Comus" was painted in the summerhouse of Buckingham Palace garden in 1843. The "Challenge" was accompanied (1844) by "Shoeing the Bay Mare" (Bell Gift), and followed by "Peace" and "War," and the "Stag at Bay" (1846). "Alexander and Diogenes," and a "Random Shot," a dead kid lying in the snow, came forth in 1848. In 1850 Landseer received a national commission to paint in the Houses of Parliament three subjects connected with the chase. Although they would have been worth three times as much money, the House of Commons refused to grant £1500 for these pictures, and the matter fell through, more to the artist's profit than the nation's gain. The famous "Monarch of the Glen" (1851) was one of these subjects. "Night" and "Morning," romantic and pathetic deer subjects, came in due order (1853). For "The Sanctuary" (1842) the Fine Arts jury of experts awarded to the artist the great gold medal of the Exposition Universelle, Paris, 1855. Entry: LANDSEER
It is not only as a composer that the life of Berlioz is full of interest, although in this respect his achievement is singularly significant for the comprehension of the modern spirit in music. But it is as the symbol of French romanticism in the whole domain of aesthetic perception that his pre-eminence has come to be recognized. His _Mémoires_ (begun in London in 1848 and finished in 1865) illustrate this romantic spirit at its highest elevation as well as at its lowest depths. Victor Hugo was a romantic, Musset was a romantic, but Berlioz was romanticism itself. As a boy he is in despair over the despair of Dido, and his breath is taken away at Virgil's "Quaesivit coelo lucem ingemuitque reperta." At the age of twelve he is in love with "Estelle," whom he meets fifty years afterwards. The scene is described by himself (1865) with minute fidelity--a scene which Flaubert must have known by heart when he wrote its parallel in the novel _L'Éducation sentimentale_. The romance of this meeting between the man--old, isolated, unspeakably sad, with the halo of public fame burning round him--and the woman--old also, a mother, a widow, whose beauty he had worshipped when she was eighteen--is striking. In a frame of chastened melancholy and joy at the sight of Estelle, Berlioz goes to dine with Patti and her family. Patti, on the threshold of her career, pets Berlioz with such uncontrollable affection, that as the composer wrote a description of his feelings he was overwhelmed at the bitterness of fate. What would he not have given for Estelle to show him such affection! Patti seemed to him like a marvellous bird with diamond wings flitting round his head, resting on his shoulder, plucking his hair and singing her most joyous songs to the accompaniment of beating wings. "I was enchanted but not moved. The fact is that the young, beautiful, dazzling, famous virtuoso who at the age of twenty-two has already seen musical Europe and America at her feet, does not win the power of love in me; and the aged woman, sad, obscure, ignorant of art, possesses my soul as she did in the days gone by, as she will do until my last day." If this episode touches the sublime, it may be urged with almost equal truth that his description of the exhumation of his two wives and their reburial in a single tomb touches the ridiculous. And yet the scene is described with a perception of all the detail which would call for the highest praise in a novelist. Perhaps some parallel between the splendid and the ridiculous in this singular figure may be seen in the comparison of Nadar's caricature with Charpentier's portrait of the composer. Entry: BERLIOZ
From 1772 till his death Hunter resided during autumn at a house built by him at Earl's Court, Brompton, where most of his biological researches were carried on. There he kept for the purpose of study and experiment the fishes, lizards, blackbirds, hedgehogs and other animals sent him from time to time by Jenner; tame pheasants and partridges, at least one eagle, toads, silkworms, and many more creatures, obtained from every quarter of the globe. Bees he had under observation in his conservatory for upwards of twenty years; hornets and wasps were also diligently studied by him. On two occasions his life was in risk from his pets--once in wrestling with a young bull, and again when he fearlessly took back to their dens two leopards which had broken loose among his dogs. Entry: HUNTER
COATI, or COATI-MUNDI, the native name of the members of the genus _Nasua_, of the mammalian family _Procyonidae_. They are easily recognized by their long body and tail, and elongated, upturned snout; from which last feature the Germans call them _Rüsselbären_ or "snouted bears." In the white-nosed coati, a native of Mexico and Central America, the general hue is brown, but the snout and upper lip are white, and the tail is often banded. In the red coati, ranging from Surinam to Paraguay, the tail is marked with from seven to nine broad fulvous or rufous rings, alternating with black ones, and tipped with black. Coatis are gregarious and arboreal in habit, and feed on birds, eggs, lizards and insects. They are common pets of the Spaniards in South America. (See CARNIVORA.) Entry: COATI
HERRICK, ROBERT (1591-1674), English poet, was born at Cheapside, London, and baptized on the 24th of August 1591. He belonged to an old Leicestershire family which had settled in London. He was the seventh child of Nicholas Herrick, goldsmith, of the city of London, who died in 1592, under suspicion of suicide. The children were brought up by their uncle, Sir William Herrick, one of the richest goldsmiths of the day, to whom in 1607 Robert was bound apprentice. He had probably been educated at Westminster school, and in 1614 he proceeded to Cambridge; and it was no doubt during his apprenticeship that the young poet was introduced to that circle of wits which he was afterwards to adorn. He seems to have been present at the first performance of _The Alchemist_ in 1610, and it was probably about this time that Ben Jonson adopted him as his poetical "son." He entered the university as fellow-commoner of St John's College, and he remained there until, in 1616, upon taking his degree, he removed to Trinity Hall. A lively series of fourteen letters to his uncle, mainly begging for money, exists at Beaumanoir, and shows that Herrick suffered much from poverty at the university. He took his B.A. in 1617, and in 1620 he became master of arts. From this date until 1627 we entirely lose sight of him; it has been variously conjectured that he spent these years preparing for the ministry at Cambridge, or in much looser pursuits in London. In 1629 (September 30) he was presented by the king to the vicarage of Dean Prior, not far from Totnes in Devonshire. At Dean Prior he resided quietly until 1648, when he was ejected by the Puritans. The solitude there oppressed him at first; the village was dull and remote, and he felt very bitterly that he was cut off from all literary and social associations; but soon the quiet existence in Devonshire soothed and delighted him. He was pleased with the rural and semi-pagan customs that survived in the village, and in some of his most charming verses he has immortalized the morris-dances, wakes and quintains, the Christmas mummers and the Twelfth Night revellings, that diversified the quiet of Dean Prior. Herrick never married, but lived at the vicarage surrounded by a happy family of pets, and tended by an excellent old servant named Prudence Baldwin. His first appearance in print was in some verses he contributed to _A Description of the King and Queen of Fairies_, in 1635. In 1650 a volume of _Wit's Recreations_ contained sixty-two small poems afterwards acknowledged by Herrick in the _Hesperides_, and one not reprinted until our own day. These partial appearances make it probable that he visited London from time to time. We have few hints of his life as a clergyman. Anthony Wood says that Herricks's sermons were florid and witty, and that he was "beloved by the neighbouring gentry." A very aged woman, one Dorothy King, stated that the poet once threw his sermon at his congregation, cursing them for their inattention. The same old woman recollected his favourite pig, which he taught to drink out of a tankard. He was a devotedly loyal supporter of the king during the Civil War, and immediately upon his ejection in 1648 he published his celebrated collection of lyrical poems, entitled _Hesperides; or the Works both Human and Divine of Robert Herrick_. The "divine works" bore the title of _Noble Numbers_ and the date 1647. That he was reduced to great poverty in London has been stated, but there is no evidence of the fact. In August 1662 Herrick returned to Dean Prior, supplanting his own supplanter, Dr John Syms. He died in his eighty-fourth year, and was buried at Dean Prior, October 15, 1674. A monument was erected to his memory in the parish church in 1857, by Mr Perry Herrick, a descendant of a collateral branch of the family. The _Hesperides_ (and _Noble Numbers_) is the only volume which Herrick published, but he contributed poems to _Lachrymae Musarum_ (1649) and to _Wit's Recreations_. Entry: HERRICK
The excellent books which have been written upon the emperor's retirement have inspired an interest out of all proportion to its real significance. His little house was attached to the monastery, but was not within it. He was neither an ascetic nor a recluse. Gastronomic indiscretions still entailed their inevitable penalties. Society was not confined to interchange of civilities with the brethren. His relations, his chief friends, his official historians, all found their way to Yuste. Couriers brought news of Philip's war and peace with Pope Paul IV., of the victories of Saint Quentin and Gravelines, of the French capture of Calais, of the danger of Oran. As head of the family he intervened in the delicate relations with the closely allied house of Portugal: he even negotiated with the house of Navarre for reparation for the wrong done by his grandfather Ferdinand, which appeared to weigh upon his conscience. Above all he was shocked by the discovery that Spain, his own court, and his very chapel were infected with heresy. His violent letters to his son and daughter recommending immediate persecution, his profession of regret at having kept his word when Luther was in his power, have weighed too heavily on his reputation. The feverish phrases of religious exaltation due to broken health and unnatural retirement cannot balance the deliberate humanity and honour of wholesome manhood. Apart from such occasional moments of excitement, the emperor's last years passed tranquilly enough. At first he would shoot pigeons in the monastery woods, and till his last illness tended his garden and his animal pets, or watched the operations of Torriani, maker of clocks and mechanical toys. After an illness of three weeks the call came in the early hours of the feast of St Matthew, who, as his chaplain said, had for Christ's sake forsaken wealth even as Charles had forsaken empire. The dying man clasped his wife's crucifix to his breast till his fingers lost their hold. The archbishop held it before his eyes, and with the cry of "_Ay Jesus!_" died, in the words of his faithul squire D. Luis de Quijada, "the chief of men that had ever been or would ever be." Posterity need not agree, but no great man can boast a more honest panegyric. Entry: CHARLES
True cavies, or couies (_Cavia_), are best known by the guinea-pig, a domesticated and parti-coloured race derived from one of the wild species, all of which are uniformly coloured. They are comparatively small and stoutly built animals, with short, rounded ears and no tail. In habits they are partly diurnal; and live either in burrows among the crevices of rocks, beneath the leaves of aquatic plants in marshy districts, or underneath the floors of outbuildings. Their cries are faint squeaks and grunts. They feed upon nearly all vegetable substances, but drink little. Generally they associate in small societies, and seldom wander far from home. Although the guinea-pig is a fertile breeder, the wild species only produce one or two young at a birth, and this but once in a year. The young come into the world in a highly developed condition, being able to feed themselves the day following their birth. Cavies are widely distributed in South America, and are represented by several species. Among them may be mentioned the aperea or restless cavy (_C. porcellus_ or _C. aperea_) of Brazil; the Bolivian _C. boliviensis_, found at great elevations in the Andes; the Brazilian rock-cavy (_C. rupestris_), characterized by its short blunt claws; and the Peruvian _C. cutleri_. The latter was tamed by the Incas, and is the ancestor of the guinea-pig. As to the origin of that name, some writers consider it a corruption of Guiana-pig, but it is more probable that the word "Guinea" merely signifies foreign. The guinea-pig is a singularly inoffensive and defenceless creature, of a restless disposition, and wanting in that intelligence which usually characterizes domestic pets, although said to show some discrimination. It is of no particular service to man, neither its flesh nor its fur being generally put to use, while the statement that its presence is sufficient to drive off rats and mice appears to be without foundation. It is exceedingly prolific, beginning to breed at the age of two months; the number of young varying, according to the age of the parent, from four to twelve. It has been calculated that a single pair of guinea-pigs may prove the parent stock of a thousand individuals in a single year. Entry: CAVY
_Spaniels_ are heavily built dogs with short and very wide skulls rising suddenly at the eyes. The brain is relatively large and the intelligence high. The muzzle is short, the ears large and pendent, the limbs relatively short and heavy, and the coat thick and frequently long. It is supposed, from their name, that they are of Spanish origin. They may be divided into field spaniels, water spaniels and the smaller breeds kept as pets. Field spaniels are excellent shooting dogs, and are readily trained to give notice of the proximity of game. The Clumber, Sussex, Norfolk and Cocker breeds are the best established. The Clumber is long, low and heavy. It is silent when hunting, and has long ears shaped like vine leaves. The ground colour of the coat is white with yellow spots. The Sussex is a lighter, more noisy animal, with a wavy, golden coat. The Cockers are smaller spaniels, brown, or brown-and-white in the Welsh variety, black in the more common modern English form. The head is short, and the coat silky and wavy. Of the water spaniels the Irish breeds are best known. They are relatively large dogs, with broad splay feet, and silky oily coats. Entry: BOSTON