We gave you an atomic bomb, what do you want, mermaids?
We gave you an atomic bomb, what do you want, mermaids? -- I. I. Rabi to the Atomic Energy Commission
There once was a Sailor who looked through a glass And spied a fair mermaid with scales on her... island. Where seagulls flew over their nest. She combed the long hair which hung over her... shoulders. And caused her to tickle and itch. The sailor cried out "There's a beautiful... mermaid. A sittin' out there on the rocks." The crew came a running, all grabbing their... glasses. And crowded four deep to the rail. All eager to share in this fine piece of... news. ... "Throw out a line and we'll lasso her... flippers. And soon we will certainly find If mermaids are better before or be... brave My dear fellows," The captain cried out. And cursing with spleen. This song may be dull, but it's certainly clean. -- "The Clean Song", Oscar Brandt
Death seems the only desirable sequel for a career like this; but Death is only a launching into the region of the strange Untried; it is but the first salutation to the possibilities of the immense Remote, the Wild, the Watery, the Unshored; therefore, to the death-longing eyes of such men, who still have left in them some interior compunctions against suicide, does the all-contributed and all-receptive ocean alluringly spread forth his whole plain of unimaginable, taking terrors, and wonderful, new-life adventures; and from the hearts of infinite Pacifics, the thousand mermaids sing to them--"Come hither, broken-hearted; here is another life without the guilt of intermediate death; here are wonders supernatural, without dying for them. Come hither! bury thyself in a life which, to your now equally abhorred and abhorring, landed world, is more oblivious than death. Come hither! put up THY gravestone, too, within the churchyard, and come hither, till we marry thee!"
At last, when the ship drew near to the outskirts, as it were, of the Equatorial fishing-ground, and in the deep darkness that goes before the dawn, was sailing by a cluster of rocky islets; the watch--then headed by Flask--was startled by a cry so plaintively wild and unearthly--like half-articulated wailings of the ghosts of all Herod's murdered Innocents--that one and all, they started from their reveries, and for the space of some moments stood, or sat, or leaned all transfixedly listening, like the carved Roman slave, while that wild cry remained within hearing. The Christian or civilized part of the crew said it was mermaids, and shuddered; but the pagan harpooneers remained unappalled. Yet the grey Manxman--the oldest mariner of all--declared that the wild thrilling sounds that were heard, were the voices of newly drowned men in the sea.
DOG-FISH, a name applied to several species of the smaller sharks, and given in common with such names as hound and beagle, owing to the habit these fishes have of pursuing or hunting their prey in packs. The small-spotted dog-fish or rough hound (_Scyllium canicula_) and the large-spotted or nurse hound (_Scyllium catulus_) are also known as ground-sharks. They keep near the sea bottom, feeding chiefly on the smaller fishes and Crustacea, and causing great annoyance to the fishermen by the readiness with which they take bait. They differ from the majority of sharks, and resemble the rays in being oviparous. The eggs are enclosed in semi-transparent horny cases, known on the British coasts as "mermaids' purses," and these have tendril-like prolongations from each of the four corners, by means of which they are moored to sea-weed or some other fixed object near the shore, until the young dog-fish is ready to make its exit. The larger of these species attains a length of 4 to 5 ft., the smaller rarely more than 30 in. The picked dog-fish (_Acanthias vulgaris_, formerly known as _Squalus acanthias_) is pre-eminently _the_ dog-fish. It is the most abundant of the British sharks, and occurs in the temperate seas of both northern, and southern hemispheres. It attains a length of 4 ft., but the usual length is 2 to 3 ft., the female, as in most sharks, being larger than the male. The body is round and tapering, the snout projects, and the mouth is placed ventrally some distance from the end of the snout. There are two dorsal fins, each of which is armed on its anterior edge with a sharp and slightly curved spine, hence its name "picked." This species is viviparous, the female producing five to nine young at a birth; the young when born are 9 to 10 in. long and quite similar to the parents in all respects except size. It is gregarious, and is abundant at all seasons everywhere on the British coasts. In 1858 an enormous shoal of dog-fish, many square miles in extent, appeared in the north of Scotland, when, says J. Couch, "they were to be found floating in myriads on the surface of every harbour." They are the special enemies of the fisherman, injuring his nets, removing the hooks from his lines, and spoiling his fish for the market by biting pieces out of them as they hang on his lines. They are however eaten, both fresh and salted, by fishermen, especially on the west coast of England, and they are sold regularly in the French markets. Entry: DOG
_Eggs of Fishes._--The eggs of fishes present an extremely wide range of form, and a no less extensive range in the matter of number. Both among the cartilaginous and bony fishes viviparity occurs. Most of the sharks and rays are viviparous, but in the oviparous species the eggs present some interesting and peculiar forms. Large in size, the outer coat or "shell" is in all cases horn-like and flexible, but differs greatly in shape. Thus in the egg of the larger spotted dog-fish it is oblong in shape, flattened from side to side, and has the angles produced into long, slender tendrils. As the egg is laid the lower tendrils project from the vent, and the mother rubs herself against some fixed body. The tendrils soon catch fast in some slight projection, when the egg is dragged forth there to remain till hatching takes place. A couple of narrow slits at each corner of the upper end serve to admit fresh water to the imprisoned embryo during the later stages of development; when development is complete escape is made through the end of the shell. In the rays or "skates," long spines take the place of tendrils, the egg simply resting at the bottom of the sea. The empty egg-cases of the rays are often found on the seashore, and are known as "Mermaids' purses." The egg of the Port Jackson shark (_Cestracion_) is of enormous size, pear-shaped, and provided with a spiral flange extending along the whole length of the capsule. In the _Chimaera_ the egg is long, more or less spindle-shaped, and produced on each side into a broad flange having a fringed edge, so that the whole bears a close resemblance to a long leaf, broad and notched at one end, pointed at the other. This likeness to the seaweed among which it rests is doubtless a protective device, akin to that of protectively coloured birds' eggs. Entry: EGG
To what extent the changes, which the religious belief of the Aryan classes underwent in post-Vedic times, may have been due to aboriginal influences is a question not easily answered, though the later creeds offer only too many features in which one might feel inclined to suspect influences of that kind. The literary documents, both in Sanskrit and Pali, dating from about the time of Buddha onwards--particularly the two epic poems, the _Mahabharata_ and _Ramayana_--still show us in the main the _personnel_ of the old pantheon; but the character of the gods has changed; they have become anthropomorphized and almost purely mythological figures. A number of the chief gods, sometimes four, but generally eight of them, now appear as _lokapalas_ or world-guardians, having definite quarters or intermediate quarters of the compass assigned to them as their special domains. One of them, Kubera, the god of wealth, is a new figure; whilst another, Varuna, the most spiritual and ethical of Vedic deities--the king of the gods and the universe; the nightly, star-spangled firmament--has become the Indian Neptune, the god of waters. Indra, their chief, is virtually a kind of superior raja, residing in _svarga_, and as such is on visiting terms with earthly kings, driving about in mid-air with his charioteer Matali. As might happen to any earth-lord, Indra is actually defeated in battle by the son of the demon-king of Lanka (Ceylon), and kept there a prisoner till ransomed by Brahma and the gods conferring immortality on his conqueror. A quaint figure in the pantheon of the heroic age is Hanuman, the deified chief of monkeys--probably meant to represent the aboriginal tribes of southern India--whose wonderful exploits as Rama's ally on the expedition to Lanka Indian audiences will never weary of hearing recounted. The Gandharvas figure already in the Veda, either as a single divinity, or as a class of genii, conceived of as the body-guard of Soma and as connected with the moon. In the later Vedic times they are represented as being fond of, and dangerous to, women; the Apsaras, apparently originally water-nymphs, being closely associated with them. In the heroic age the Gandharvas have become the heavenly minstrels plying their art at Indra's court, with the Apsaras as their wives or mistresses. These fair damsels play, however, yet another part, and one far from complimentary to the dignity of the gods. In the epics considerable merit is attached to a life of seclusion and ascetic practices by means of which man is considered capable of acquiring supernatural powers equal or even superior to those of the gods--a notion perhaps not unnaturally springing from the pantheistic conception. Now, in cases of danger being threatened to their own ascendancy by such practices, the gods as a rule proceed to employ the usually successful expedient of despatching some lovely nymph to lure the saintly men back to worldly pleasures. Seeing that the epic poems, as repeated by professional reciters, either in their original Sanskrit text, or in their vernacular versions, as well as dramatic compositions based on them, form to this day the chief source of intellectual enjoyment for most Hindus, the legendary matter contained in these heroic poems, however marvellous and incredible it may appear, still enters largely into the religious convictions of the people. "These popular recitals from the Ramayan are done into Gujarati in easy, flowing narrative verse ... by Premanand, the sweetest of our bards. They are read out by an intelligent Brahman to a mixed audience of all classes and both sexes. It has a perceptible influence on the Hindu character. I believe the remarkable freedom from infidelity which is to be seen in most Hindu families, in spite of their strange gregarious habits, can be traced to that influence; and little wonder" (B. M. Malabari, _Gujarat and the Gujaratis_). Hence also the universal reverence paid to serpents (_naga_) since those early days; though whether it simply arose from the superstitious dread inspired by the insidious reptile so fatal to man in India, or whether the verbal coincidence with the name of the once-powerful non-Aryan tribe of Nagas had something to do with it must remain doubtful. Indian myth represents them as a race of demons sprung from Kadru, the wife of the sage Kasyapa, with a jewel in their heads which gives them their sparkling look; and inhabiting one of the seven beautiful worlds below the earth (and above the hells), where they are ruled over by three chiefs or kings, Sesha, Vasuki and Takshaka; their fair daughters often entering into matrimonial alliances with men, like the mermaids of western legend. Entry: HINDUISM
The kings of the house of York and their chief followers wore the Yorkist collar of suns and roses, with the white lion of March, the Clare bull, or Richard's white boar for a pendant device. Henry VII. brought back the collar of Esses, a portcullis or a rose hanging from it, although in a portrait of this king, now possessed by the Society of Antiquaries, his neck bears the _rose en soleil_ alternating with knots, and his son, when young, had a collar of roses red and white. Besides these royal collars, the 14th and 15th centuries show many of private devices. A brass at Mildenhall shows a knight whose badge of a dog or wolf circled by a crown hangs from a collar with edges suggesting a pruned bough or the ragged staff. Thomas of Markenfield (d. c. 1415) on his brass at Ripon has a strange collar of park palings with a badge of a hart in a park, and the Lord Berkeley (d. 1392) wears one set with mermaids. Entry: COLLAR