Quotes4study

"No--why should he? If it were not allowable for him to gain _my_ affections because I had no money, what occasion could there be for making love to a girl whom he did not care about, and who was equally poor?"

Jane Austen     Pride and Prejudice

"The man married a woman very much older than himself for her money," said he, "and he enjoyed the use of the money of the daughter as long as she lived with them. It was a considerable sum, for people in their position, and the loss of it would have made a serious difference. It was worth an effort to preserve it. The daughter was of a good, amiable disposition, but affectionate and warm-hearted in her ways, so that it was evident that with her fair personal advantages, and her little income, she would not be allowed to remain single long. Now her marriage would mean, of course, the loss of a hundred a year, so what does her stepfather do to prevent it? He takes the obvious course of keeping her at home and forbidding her to seek the company of people of her own age. But soon he found that that would not answer forever. She became restive, insisted upon her rights, and finally announced her positive intention of going to a certain ball. What does her clever stepfather do then? He conceives an idea more creditable to his head than to his heart. With the connivance and assistance of his wife he disguised himself, covered those keen eyes with tinted glasses, masked the face with a moustache and a pair of bushy whiskers, sunk that clear voice into an insinuating whisper, and doubly secure on account of the girl's short sight, he appears as Mr. Hosmer Angel, and keeps off other lovers by making love himself."

Arthur Conan Doyle     The Adventures of Sherlock Holmes

"He is always wandering about, dreaming. He says, 'Why live in real life? It's better to dream. One can dream the most delightful things, but real life is a bore.' But he'll be married soon for all that; he's been making love to me already. Can you spin tops?"

Fyodor Dostoyevsky     The Brothers Karamazov

When after a bachelor supper he rose with his amiable and kindly smile, yielding to the entreaties of the festive company to drive off somewhere with them, shouts of delight and triumph arose among the young men. At balls he danced if a partner was needed. Young ladies, married and unmarried, liked him because without making love to any of them, he was equally amiable to all, especially after supper. "Il est charmant; il n'a pas de sexe," * they said of him.

Leo Tolstoy     War and Peace

Byron sailed from Gibraltar on the 16th of August, and spent a month at Malta making love to Mrs Spencer Smith (the "Fair Florence" of c. II. s. xxix.-xxxiii.). He anchored off Prevesa on the 28th of September. The second canto records a journey on horseback through Albania, then almost a _terra incognita_, as far as Tepeleni, where he was entertained by Ali Pacha (October 20th), a yachting tour along the shores of the Ambracian Gulf (November 8-23), a journey by land from Larnaki to Athens (December 15-25), and excursions in Attica, Sunium and Marathon (January 13-25, 1810). Entry: BYRON

Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 "Bulgaria" to "Calgary"     1910-1911

"I? I detest him," replied Favourite in the same tone, seizing her fork again. "He is avaricious. I love the little fellow opposite me in my house. He is very nice, that young man; do you know him? One can see that he is an actor by profession. I love actors. As soon as he comes in, his mother says to him: 'Ah! mon Dieu! my peace of mind is gone. There he goes with his shouting. But, my dear, you are splitting my head!' So he goes up to rat-ridden garrets, to black holes, as high as he can mount, and there he sets to singing, declaiming, how do I know what? so that he can be heard down stairs! He earns twenty sous a day at an attorney's by penning quibbles. He is the son of a former precentor of Saint-Jacques-du-Haut-Pas. Ah! he is very nice. He idolizes me so, that one day when he saw me making batter for some pancakes, he said to me: 'Mamselle, make your gloves into fritters, and I will eat them.' It is only artists who can say such things as that. Ah! he is very nice. I am in a fair way to go out of my head over that little fellow. Never mind; I tell Blachevelle that I adore him--how I lie! Hey! How I do lie!"

Victor Hugo     Les Miserables

"Excellent," murmured Monte Cristo to himself, as he came away. "All has gone according to my wishes. The domestic peace of this family is henceforth in my hands. Now, then, to play another master-stroke, by which I shall gain the heart of both husband and wife--delightful! Still," added he, "amid all this, I have not yet been presented to Mademoiselle Eugenie Danglars, whose acquaintance I should have been glad to make. But," he went on with his peculiar smile, "I am here in Paris, and have plenty of time before me--by and by will do for that." With these reflections he entered his carriage and returned home. Two hours afterwards, Madame Danglars received a most flattering epistle from the count, in which he entreated her to receive back her favorite "dappled grays," protesting that he could not endure the idea of making his entry into the Parisian world of fashion with the knowledge that his splendid equipage had been obtained at the price of a lovely woman's regrets. The horses were sent back wearing the same harness she had seen on them in the morning; only, by the count's orders, in the centre of each rosette that adorned either side of their heads, had been fastened a large diamond.

Alexandre Dumas, Pere     The Count of Monte Cristo

"Rakitin knows. Rakitin knows a lot, damn him! He's not going to be a monk. He means to go to Petersburg. There he'll go in for criticism of an elevating tendency. Who knows, he may be of use and make his own career, too. Ough! they are first-rate, these people, at making a career! Damn ethics, I am done for, Alexey, I am, you man of God! I love you more than any one. It makes my heart yearn to look at you. Who was Karl Bernard?"

Fyodor Dostoyevsky     The Brothers Karamazov

"What an excellent father you have, girls!" said she, when the door was shut. "I do not know how you will ever make him amends for his kindness; or me, either, for that matter. At our time of life it is not so pleasant, I can tell you, to be making new acquaintances every day; but for your sakes, we would do anything. Lydia, my love, though you _are_ the youngest, I dare say Mr. Bingley will dance with you at the next ball."

Jane Austen     Pride and Prejudice

"O God, if he were here now I would not behave as I did then, but differently. I would not be silly and afraid of things, I would simply embrace him, cling to him, and make him look at me with those searching inquiring eyes with which he has so often looked at me, and then I would make him laugh as he used to laugh. And his eyes--how I see those eyes!" thought Natasha. "And what do his father and sister matter to me? I love him alone, him, him, with that face and those eyes, with his smile, manly and yet childlike.... No, I had better not think of him; not think of him but forget him, quite forget him for the present. I can't bear this waiting and I shall cry in a minute!" and she turned away from the glass, making an effort not to cry. "And how can Sonya love Nicholas so calmly and quietly and wait so long and so patiently?" thought she, looking at Sonya, who also came in quite ready, with a fan in her hand. "No, she's altogether different. I can't!"

Leo Tolstoy     War and Peace

Mr. Collins returned most punctually on Monday fortnight, but his reception at Longbourn was not quite so gracious as it had been on his first introduction. He was too happy, however, to need much attention; and luckily for the others, the business of love<b>-making relieved them from a great deal of his company. The chief of every day was spent by him at Lucas Lodge, and he sometimes returned to Longbourn only in time to make an apology for his absence before the family went to bed.

Jane Austen     Pride and Prejudice

Othello was incapable of making up his mind to faithlessness--not incapable of forgiving it, but of making up his mind to it--though his soul was as innocent and free from malice as a babe's. It is not so with the really jealous man. It is hard to imagine what some jealous men can make up their mind to and overlook, and what they can forgive! The jealous are the readiest of all to forgive, and all women know it. The jealous man can forgive extraordinarily quickly (though, of course, after a violent scene), and he is able to forgive infidelity almost conclusively proved, the very kisses and embraces he has seen, if only he can somehow be convinced that it has all been "for the last time," and that his rival will vanish from that day forward, will depart to the ends of the earth, or that he himself will carry her away somewhere, where that dreaded rival will not get near her. Of course the reconciliation is only for an hour. For, even if the rival did disappear next day, he would invent another one and would be jealous of him. And one might wonder what there was in a love that had to be so watched over, what a love could be worth that needed such strenuous guarding. But that the jealous will never understand. And yet among them are men of noble hearts. It is remarkable, too, that those very men of noble hearts, standing hidden in some cupboard, listening and spying, never feel the stings of conscience at that moment, anyway, though they understand clearly enough with their "noble hearts" the shameful depths to which they have voluntarily sunk.

Fyodor Dostoyevsky     The Brothers Karamazov

His fortune was now made, and while the managers of Covent Garden and Drury Lane resorted to the law to make Giffard, the manager of Goodman's Fields, close his little theatre, Garrick was engaged by Fleetwood for Drury Lane for the season of 1742. In June of that year he went over to Dublin, where he found the same homage paid to his talents as he had received from his own countrymen. He was accompanied by Margaret (Peg) Woffington, of whom he had been for some time a fervent admirer. (His claim to the authorship of the song to Lovely Peggy is still _sub judice_. There remains some obscurity as to the end of their liaison.) From September 1742 to April 1745 he played at Drury Lane, after which he again went over to Dublin. Here he remained during the whole season, as joint-manager with Sheridan, in the direction and profits of the Theatre Royal in Smock Alley. In 1746-1747 he fulfilled a short engagement with Rich at Covent Garden, his last series of performances under a management not his own. With the close of that season Fleetwood's patent for the management of Drury Lane expired, and Garrick, in conjunction with Lacy, purchased the property of the theatre, together with the renewal of the patent; contributing £8000 as two-thirds of the purchase-money. In September 1747 it was opened with a strong company of actors, Johnson's prologue being spoken by Garrick, while the epilogue, written by him, was spoken by Mrs Woffington. The negotiations involved Garrick in a bitter quarrel with Macklin, who appears to have had a real grievance in the matter. Garrick took no part himself till his performance of Archer in the _Beaux' Stratagem_, a month after the opening. For a time at least "the drama's patrons" were content with the higher entertainment furnished them; in the end Garrick had to "please" them, like most other managers, by gratifying their love of show. Garrick was surrounded by many players of eminence, and he had the art, as he was told by Mrs Clive, "of contradicting the proverb that one cannot make bricks without straw, by doing what is infinitely more difficult, making actors and actresses without genius." He had to encounter very serious opposition from the old actors whom he had distanced, and with the younger actors and actresses he was involved in frequent quarrels. But to none of them or their fellows did he, so far as it appears, show that jealousy of real merit from which so many great actors have been unable to remain free. For the present he was able to hold his own against all competition. The naturalness of his acting fascinated those who, like Partridge in _Tom Jones_, listened to nature's voice, and justified the preference of more conscious critics. To be "pleased with nature" was, as Churchill wrote, in the _Rosciad_ (1761),[1] to be pleased with Garrick. For the stately declamation, the sonorous, and beyond a doubt impressive, chant of Quin and his fellows, Garrick substituted rapid changes of passion and humour in both voice and gesture, which held his audiences spellbound. "It seemed," wrote Richard Cumberland, "as if a whole century had been stepped over in the passage of a single scene; old things were done away, and a new order at once brought forward, bright and luminous, and clearly destined to dispel the barbarisms of a tasteless age, too long superstitiously devoted to the illusions of imposing declamation." Garrick's French descent and his education may have contributed to give him the vivacity and versatility which distinguished him as an actor; and nature had given him an eye, if not a stature, to command, and a mimic power of wonderful variety. The list of his characters in tragedy, comedy and farce is large, and would be extraordinary for a modern actor of high rank; it includes not less than seventeen Shakespearian parts. As a manager, though he committed some grievous blunders, he did good service to the theatre and signally advanced the popularity of Shakespeare's plays, of which not less than twenty-four were produced at Drury Lane under his management. Many of these were not pure Shakespeare; and he is credited with the addition of a dying speech to the text of _Macbeth_. On the other hand, Tate Wilkinson says that Garrick's production of _Hamlet_ in 1773 was well received at Drury Lane even by the galleries, "though without their favourite acquaintances the gravediggers." Among his published adaptations are an opera, _The Fairies_ (from _Midsummer Night's Dream_) (1755); an opera _The Tempest_ (1756); _Catherine and Petruchio_ (1758); _Florizel and Perdita_ (1762). But not every generation has the same notions of the way in which Shakespeare is best honoured. Few sins of omission can be charged against Garrick as a manager, but he refused Home's _Douglas_, and made the wrong choice between _False Delicacy_ and _The Good Natur'd Man_. For the rest, he purified the stage of much of its grossness, and introduced a relative correctness of costume and decoration unknown before. To the study of English dramatic literature he rendered an important service by bequeathing his then unrivalled collection of plays to the British Museum. Entry: GARRICK

Encyclopaedia Britannica, 11th Edition, Volume 11, Slice 4 "G" to "Gaskell, Elizabeth"     1910-1911

The reign which began with this unwonted quietness was perhaps the most important epoch of all English medieval history in the way of the definition and settlement of the constitution. Edward I. was a remarkable figure, by far the ablest of all the kings of the house of Plantagenet. He understood the problem that was before him, the construction of a working constitution from the old ancestral customs of the English monarchy plus the newer ideas that had been embodied in the Great Charter, the Provisions of Oxford, and the scanty legislation of Simon de Montfort. Edward loved royal power, but he was wise in his generation, and saw that he could best secure the loyalty of his subjects by assenting to so many of the new constitutional restraints as were compatible with his own practical control of the policy of the realm. He was prepared to refer all important matters to his parliament, and (as we shall see) he improved the shape of that body by reintroducing into it the borough members who had appeared for the first time in Montfort's assembly of 1265. He would have liked to make parliament, no doubt, a mere meeting for the voting of taxation with the smallest possible friction. But he fully realized that this dream was impossible, and was wise enough to give way, whenever opposition grew too strong and bitter. He had not fought through the civil wars of 1263-66 without learning his lesson. There was a point beyond which it was unwise to provoke the baronage or the commons, and, unlike his flighty and thriftless father, he knew where that point came. The constitutional quarrels of his reign were conducted with decency and order, because the king knew his own limitations, and because his subjects trusted to his wisdom and moderation in times of crisis. Edward indeed was a man worthy of respect, if not of affection. His private life was grave and seemly, his court did not sin by luxury or extravagance. His chosen ministers were wise and experienced officials, whom no man could call favourites or accuse of maladministration. He was sincerely religious, self-restrained and courteous, though occasionally, under provocation, he could burst out into a royal rage. He was a good master and a firm friend. Moreover, he had a genuine regard for the sanctity of a promise, the one thing in which his father had been most wanting. It is true that sometimes he kept his oaths or carried out his pledges with the literal punctuality of a lawyer, rather than with the chivalrous generosity of a knight. But at any rate he always endeavoured to discharge an obligation, even if he sometimes interpreted it by the strict letter of the law and not with liberality. A conscientious man according to his lights, he took as his device the motto _Pactum serva_, "keep troth," which was afterwards inscribed on his tomb, and did his best to live up to it. Naturally he expected the same accuracy from other men, and when he did not meet it he could be harsh and unrelenting in the punishment that he inflicted. To sum up his character it must be added that he was a very great soldier. The headlong courage which he showed at Lewes, his first battle, was soon tempered by caution, and already in 1265 he had shown that he could plan a campaign with skill. In his later military career he was the first general who showed on a large scale how the national English weapon, the bow, could win fights when properly combined with the charge of the mailed cavalry. He inaugurated the tactics by which his grandson and great-grandson were to win epoch-making victories abroad. Entry: A

Encyclopaedia Britannica, 11th Edition, Volume 9, Slice 5 English History     1910-1911