Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.
A book for children, like the myths and folktales that tend to slide into it, is really a blueprint for dealing with life. For that reason, it might have a happy ending, because nobody ever solved a problem while believing it was hopeless. It might put the aims and the solution unrealistically high – in the same way that folktales tend to be about kings and queens – but this is because it is better to aim for the moon and get halfway there than just to aim for the roof and get halfway upstairs.
First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS.
"Yet Sion hath dared to say: The Lord hath forsaken and hath forgotten me. Can a woman forget her sucking child, that she should not have compassion on the son of her womb, but if she forget, yet will I not forget thee, O Sion. I will bear thee always between my hands, and thy walls shall be ever before me. Thy builders are come, thy destroyers shall go forth of thee. Lift up thy eyes round about, and see all these are gathered together, to come to thee: as I live, saith the Lord, thou shall be clothed with all these as with an ornament, thy deserts, and thy desolate places, and the land of thy destruction shall now be too narrow by reason of the inhabitants, and the children of thy barrenness shall still say in thy ears: the place is too strait for me, make me room to dwell in. And thou shall say in thy heart: Who hath begotten these? I was barren and brought not forth, led away, and captive: and who hath brought up these? I was destitute and alone: and these, where were they? And the Lord shall say: Behold, I will lift up my hand to the Gentiles, and will set up my standard to the people. And they shall bring thy children in their arms, and in their bosoms. And kings shall be thy nursing fathers, and queens thy nursing mothers: they shall worship thee with their face toward the earth, and they shall lick up the dust of thy feet. And thou shall know that I am the Lord, for they shall not be confounded that wait for him. Shall the prey be taken from the strong and mighty? But even if the captivity be taken away from the strong: nothing can hinder me to judge those that have judged thee, and thy children I will save. And all flesh shall know, that I am the Lord thy Saviour, and thy Redeemer the mighty One of Jacob.
Of the manner and extent to which he took our trumps into custody, and came out with mean little cards at the ends of hands, before which the glory of our Kings and Queens was utterly abased, I say nothing; nor, of the feeling that I had, respecting his looking upon us personally in the light of three very obvious and poor riddles that he had found out long ago. What I suffered from, was the incompatibility between his cold presence and my feelings towards Estella. It was not that I knew I could never bear to speak to him about her, that I knew I could never bear to hear him creak his boots at her, that I knew I could never bear to see him wash his hands of her; it was, that my admiration should be within a foot or two of him,--it was, that my feelings should be in the same place with him,--that, was the agonizing circumstance.
Next morning the not-yet-subsided sea rolled in long slow billows of mighty bulk, and striving in the Pequod's gurgling track, pushed her on like giants' palms outspread. The strong, unstaggering breeze abounded so, that sky and air seemed vast outbellying sails; the whole world boomed before the wind. Muffled in the full morning light, the invisible sun was only known by the spread intensity of his place; where his bayonet rays moved on in stacks. Emblazonings, as of crowned Babylonian kings and queens, reigned over everything. The sea was as a crucible of molten gold, that bubblingly leaps with light and heat.
It is well known that at the coronation of kings and queens, even modern ones, a certain curious process of seasoning them for their functions is gone through. There is a saltcellar of state, so called, and there may be a castor of state. How they use the salt, precisely--who knows? Certain I am, however, that a king's head is solemnly oiled at his coronation, even as a head of salad. Can it be, though, that they anoint it with a view of making its interior run well, as they anoint machinery? Much might be ruminated here, concerning the essential dignity of this regal process, because in common life we esteem but meanly and contemptibly a fellow who anoints his hair, and palpably smells of that anointing. In truth, a mature man who uses hair-oil, unless medicinally, that man has probably got a quoggy spot in him somewhere. As a general rule, he can't amount to much in his totality.
Think of that, ye loyal Britons! we whalemen supply your kings and queens with coronation stuff!
To discuss Burke's writings on the Revolution would be to write first a volume upon the abstract theory of society, and then a second volume on the history of France. But we may make one or two further remarks. One of the most common charges against Burke was that he allowed his imagination and pity to be touched only by the sorrows of kings and queens, and forgot the thousands of oppressed and famine-stricken toilers of the land. "No tears are shed for nations," cried Francis, whose sympathy for the Revolution was as passionate as Burke's execration of it. "When the provinces are scourged to the bone by a mercenary and merciless military power, and every drop of its blood and substance extorted from it by the edicts of a royal council, the case seems very tolerable to those who are not involved in it. When thousands after thousands are dragooned out of their country for the sake of their religion, or sent to row in the galleys for selling salt against law,--when the liberty of every individual is at the mercy of every prostitute, pimp or parasite that has access to power or any of its basest substitutes,--my mind, I own, is not at once prepared to be satisfied with gentle palliatives for such disorders" (_Francis to Burke_, November 3, 1790). This is a very terse way of putting a crucial objection to Burke's whole view of French affairs in 1789. His answer was tolerably simple. The Revolution, though it had made an end of the Bastille, did not bring the only real practical liberty, that is to say, the liberty which comes with settled courts of justice, administering settled laws, undisturbed by popular fury, independent of everything but law, and with a clear law for their direction. The people, he contended, were no worse off under the old monarchy than they will be in the long run under assemblies that are bound by the necessity of feeding one part of the community at the grievous charge of other parts, as necessitous as those who are so fed; that are obliged to flatter those who have their lives at their disposal by tolerating acts of doubtful influence on commerce and agriculture, and for the sake of precarious relief to sow the seeds of lasting want; that will be driven to be the instruments of the violence of others from a sense of their own weakness, and, by want of authority to assess equal and proportioned charges upon all, will be compelled to lay a strong hand upon the possessions of a part. As against the moderate section of the Constituent Assembly this was just. Entry: A
It is the privilege of the archbishop of Canterbury to crown the kings and queens of England. He is entitled to consecrate all the bishops within his province and was formerly entitled, upon consecrating a bishop, to select a benefice within his diocese at his option for one of his chaplains, but this practice was indirectly abolished by 3 and 4 Vict. c. III, § 42. He is entitled to nominate eight chaplains, who had formerly certain statutory privileges, which are now abolished. He is _ex officio_ an ecclesiastical commissioner for England, and has by statute the right of nominating one of the salaried ecclesiastical commissioners. Entry: A
While book-collecting thus came into existence it was rather as an added grace in the formation of a fine library than as a separate pursuit. Almost all the large book-buyers of the 16th, 17th and 18th centuries bought with a public object, or were rewarded for their zeal by their treasures being thought worthy of a public resting-place. Sir Thomas Smith (d. 1577) bequeathed his books to Queens' College, Cambridge; Archbishop Parker's were left under severe restrictions to Corpus Christi College in the same university; Sir Thomas Bodley refounded during his lifetime the university library at Oxford, to which also Laud gave liberally and Selden bequeathed his books. The library of Archbishop Williams went to St John's College, Cambridge; that of Archbishop Usher was bought for Trinity College, Dublin. The mathematical and scientific books of Thomas Howard, earl of Norfolk (d. 1646), were given by his grandson to the Royal Society; the heraldic collections of Ralph Sheldon (d. 1684) to Heralds' College; the library in which Pepys took so much pleasure to Magdalene College, Cambridge. Bishop Moore's books, including a little volume of Caxton quartos, almost all unique, were bought by George I. and presented to the university library at Cambridge. Archbishop Marsh, who had previously bought Stillingfleet's printed books (his manuscripts went to Oxford), founded a library at Dublin. The immense accumulations of Thomas Rawlinson (d. 1725) provided materials for a series of auctions, and Harley's printed books were sold to Osbourne the bookseller. But the trend was all towards public ownership. While Richard Rawlinson (d. 1755) allowed his brother's books to be sold, the best of his own were bequeathed to Oxford, and the Harleian MSS. were offered to the nation at a sum far below their value. A similar offer of the great collections formed by Sir Hans Sloane, including some 50,000 printed books, together with the need for taking better care of what remained of the Cotton manuscripts, vested in trustees for public use in 1702 and partially destroyed by fire in 1731, led to the foundation of the British Museum in 1753, and this on its opening in 1757 was almost immediately enriched by George II.'s gift of the old royal library, formed by the kings and queens of England from Henry VII. to Charles II., and by Henry, prince of Wales, son of James I., who had bought the books belonging to Archbishop Cranmer and Lords Arundel and Lumley. A few notable book-buyers could not afford to bequeath their treasures to libraries, e.g. Richard Smith, the secondary of the Poultry Compter (d. 1675), at whose book-sale (1682) a dozen Caxtons sold for from 2 S. to 18 S. apiece, Dr Francis Bernard (d. 1698), Narcissus Luttrell(d. 1732) and Dr Richard Mead (d. 1754). At the opposite end of the scale, in the earls of Sunderland (d. 1722) and Pembroke (d. 1733), we have early examples of the attempts, seldom successful, of book-loving peers to make their libraries into permanent heirlooms. But as has been said, the drift up to 1760 was all towards public ownership, and the libraries were for the most part general in character, though the interest in typographical antiquities was already well marked. Entry: BOOK
The treatment of the hair, moustache and beard is extremely interesting in the study of oriental archaeology (see Müller, Meyer, opp. citt.). A special covering for the head was not indispensable. The Semites often bound their bushy locks with a fillet, which varies from a single band (so often, e.g. Palestinian captives, 10th century) to a fourfold one, from a plain band to highly decorated diadems. The Ethiopians of Tirhakah's army (7th cent.) stuck a single feather in the front of their fillet, and a feathered ornament recurs from the old Babylonian goddess with two large feathers on her head to the feathered crown common from Assur-bani-pal's Arabians to Ararat, and is familiar from the later distinctive Persian head-dress.[8] But the ordinary Semitic head covering was a cloth which sometimes appears with two ends tied in front, the third falling behind. Or it falls over the nape of the neck and is kept in position with a band; or again as a cloth cap has lappets to protect the ears. Sometimes it has a more bulky appearance. In general, the use of a square or rectangular cloth (whether folded diagonally or not) corresponds to the modern _keffiyeh_ woven with long fringes which are plaited into cords knitted at the ends or worked into little balls sewn over with coloured silks and golden threads.[9] The _keffiyeh_ covering cheek, neck and throat, is worn over a small skull-cap and will be accompanied with the relatively modern fez (_tarb[=u]sh_) and a woollen cloth. Probably the oldest head-dress is the circular close-fitting cap (plain or braided), which, according to Meyer, is of Sumerian (non-Semitic) origin. But it has a long history. Palestinian captives in the Assyrian age wear it with a plain close-fitting tunic, and it appears upon the god Hadad in north Syria (cf. also the Gezer seal, fig. 13). With some deities (e.g. the moon-god Sin) it has a kind of straight brim which gives it a certain resemblance to a low-crowned "bowler." Very characteristic is the conical cap which, like the Persian hat (Gr. _kurbasia_), resembled a cock's comb. It is worn by gods and men, and with the latter sometimes has ear-flaps (at Lachish, with other varieties, Ball, 190) or is surmounted by a feather or crest. It was probably made of plaited leather or felt. Veritable helmets of metal, such as Herodotus ascribes to Assyrians and Chalybians (vii. 63, 76), and metal armour, though known farther west, scarcely appear in old oriental costume, and the passage which attributes bronze helmets and coats of mail to the Philistine Goliath and the Israelite Saul cannot be held (on other grounds) to be necessarily reliable for the middle or close of the 11th century (1 Sam. xvii). A loftier head-covering was sometimes spherical at the top and narrowed in the middle; with a brim or border turned up back and front it is worn by Hittite warriors of Zenj[=i]rli and by their god of storm and war (fig. 14). Elongated and more pointed it is the archaic crown of the Pharaohs (symbolical of upper Egypt), is worn by a Hittite god of the 14th century, and finds parallels upon old cultus images from Asia Minor, Crete and Cyprus. Later, Herodotus describes it as distinctively Scythian (vii. 64). Finally the cylindrical hat of Hittite kings and queens reappears with lappets in Phoenicia (Perrot and Chipiez, _Phoen._ ii. 77); without the brim it resembles the crown ofthe Babylonian Merodach-nadin-akhi, with a feathered top it distinguishes Adad (god of storm, &c.) at Babylonia. Narrower at the top and surmounted by a spike it distinguishes the Assyrian kings. Entry: FIG
In April 1808, whilst he was still "a minor," Byron entered upon his inheritance. Hitherto the less ruinous portions of the abbey had been occupied by a tenant, Lord Grey de Ruthven. The banqueting hall, the grand drawing-room, and other parts of the monastic building were uninhabitable, but by incurring fresh debts, two sets of apartments were refurnished for Byron and for his mother. Dismantled and ruinous, it was still a splendid inheritance. In line with the front of the abbey is the west front of the priory church, with its hollow arch, once a "mighty window," its vacant niches, its delicate Gothic mouldings. The abbey buildings enclose a grassy quadrangle [v.04 p.0899] overlooked by two-storeyed cloisters. On the eastern side are the state apartments occupied by kings and queens not as guests, but by feudal right. In the park, which is part of Sherwood Forest, there is a chain of lakes--the largest, the north-west, Byron's "lucid lake." A waterfall or "cascade" issues from the lake, in full view of the room where Byron slept. The possession of this lordly and historic domain was an inspiration in itself. It was an ideal home for one who was to be hailed as the spirit or genius of romance. Entry: BYRON
There are many published collections of facsimiles of autographs of different nations. Among those published in England the following may be named:--_British Autography_, by J. Thane (1788-1793, with supplement by Daniell, 1854); _Autographs of Royal, Noble, Learned and Remarkable Personages in English History_, by J. G. Nichols (1829); _Facsimiles of Original Documents of Eminent Literary Characters_, by C. J. Smith (1852); _Autographs of the Kings and Queens and Eminent Men of Great Britain_, by J. Netherclift (1835); _One Hundred Characteristic Autograph Letters_, by J. Netherclift and Son (1849); _The Autograph Miscellany_, by F. Netherclift (1855); _The Autograph Souvenir_, by F. G. Netherclift and R. Sims (1865); _The Autographic Mirror_ (1864-1866); _The Handbook of Autographs_, by F. G. Netherclift (1862); _The Autograph Album_, by L. B. Phillips (1866); _Facsimiles of Autographs_ (British Museum publication), five series (1896-1900). Facsimiles of autographs also appear in the official publications, _Facsimiles of National MSS., from William the Conqueror to Queen Anne_ (Master of the Rolls), 1865-1868; _Facsimiles of National MSS. of Scotland_ (Lord Clerk Register), 1867-1871; and _Facsimiles of National MSS. of Ireland_ (Public Record Office, Ireland), 1874-1884. Entry: AUTOGRAPHS
The Serapeum at Sakkara, in which the sacred bulls were embalmed and buried, the tomb of Ti (a fifth dynasty courtier), and the tombs of the kings and queens of Thebes, have no special architectural features which call for description here. Entry: EGYPTIAN
Previous to the Conquest, Macclesfield (Makesfeld, Mackerfeld, Macclesfeld, Meulefeld, Maxfield) was held by Edwin, earl of Mercia, and at the time of the Domesday Survey it formed a part of the lands of the earl of Chester. The entry speaks of seven hedged enclosures, and there is evidence of fortification in the 13th century, to which the names Jordangate, Chestergate and Wallgate still bear witness. In the 15th century Henry Stafford, duke of Buckingham, had a fortified manor-house here, traces of which remain. There is a tradition, supported by a reference on a plea roll, that Randle, earl of Chester (1181-1232) made Macclesfield a free borough, but the earliest charter extant is that granted by Edward, prince of Wales and earl of Chester, in 1261, constituting Macclesfield a free borough with a merchant gild, and according certain privileges in the royal forest of Macclesfield to the burgesses. This charter was confirmed by Edward III. in 1334, by Richard II. in 1389, by Edward IV. in 1466 and by Elizabeth in 1564. In 1595 Elizabeth issued a new charter to the town, confirmed by James I. in 1605 and Charles II. in 1666, laying down a formal borough constitution under a mayor, 2 aldermen, 24 capital burgesses and a high steward. In 1684 Charles II. issued a new charter, under which the borough was governed until the Municipal Reform Act 1835. The earliest mention of a market is in a grant by James I. to Charles, prince of Wales and earl of Chester, in 1617. In the charter of 1666 a market is included among the privileges confirmed to the borough as those which had been granted in 1605, or by any previous kings and queens of England. The charter of Elizabeth in 1595 granted an annual fair in June, and this was supplemented by Charles II. in 1684 by a grant of fairs in April and September. Except during the three winter months fairs are now held monthly, the chief being "Barnaby" in June, when the town keeps a week's holiday. Macclesfield borough sent two members to parliament in 1832 for the first time. In 1880 it was disfranchised for bribery, and in 1885 the borough was merged in the county division of Macclesfield. The manufacture of silk-covered buttons began in the 16th century, and flourished until the early 18th. The first silk mill was erected about 1755, and silk manufacture on a large scale was introduced about 1790. The manufacture of cotton began in Macclesfield about 1785. Entry: MACCLESFIELD
"And what would you do, my dear diplomatist," replied Morcerf, with a slight degree of irony in his voice, "if you did nothing? What? private secretary to a minister, plunged at once into European cabals and Parisian intrigues; having kings, and, better still, queens, to protect, parties to unite, elections to direct; making more use of your cabinet with your pen and your telegraph than Napoleon did of his battle-fields with his sword and his victories; possessing five and twenty thousand francs a year, besides your place; a horse, for which Chateau-Renaud offered you four hundred louis, and which you would not part with; a tailor who never disappoints you; with the opera, the jockey-club, and other diversions, can you not amuse yourself? Well, I will amuse you."
11:3. And he had seven hundred wives as queens, and three hundred concubines: and the women turned away his heart.
49:23. And kings shall be thy nursing fathers, and queens thy nurses: they shall worship thee with their face toward the earth, and they shall lick up the dust of thy feet. And thou shalt know that I am the Lord, for they shall not be confounded that wait for him.
Compound declarations are allowed, i.e. cards added to the open cards can at once be used, without waiting to win another trick, in as many combinations of different classes as they will form with the winner's open cards. For example: A has three open kings, and he wins a trick containing a king. Before drawing again he places the fourth king with the other three, and scores 80 for kings. This is a simple declaration. But suppose the card led was the queen of trumps, and A wins it with the king, and he has the following open cards--three kings, three queens, and ace, ten, knave of trumps. He at once declares royal marriage (40); four kings (80); four queens (60); and sequence (250); and scores in all, 430. Again: ace of spades is turned up, and ace of hearts is led. The second player has two open aces, and wins the ace of hearts with the seven of trumps and exchanges. He scores for the exchange, 10; for the ace of hearts, 10; for the ace of spades, 10; and adds the aces to his open cards, and scores 100 for aces; in all, 130. If a declaration or part of a compound declaration is omitted, and the winner of the trick draws again, he cannot amend his score. Entry: A
It is not to be wondered at that customs so widely spread and so deeply rooted as those connected with barrow-burial should have been difficult to eradicate. In fact, compliance with the Christian practice of inhumation in the cemeteries sanctioned by the church, was only enforced in Europe by capitularies denouncing the punishment of death on those who persisted in burying their dead after the pagan fashion or in the pagan mounds. Yet even in the middle ages kings of Christian countries were buried with their swords and spears, and queens with their spindles and ornaments; the bishop was laid in his grave with his crozier and comb; the priest with his chalice and vestments; and clay vessels filled with charcoal (answering to the urns of heathen times) are found in the churches of France and Denmark. Entry: BARROW
The _ballet d'action_, to which the changed meaning of the word is to be ascribed, and therewith the introduction of modern ballet, has been generally attributed to the 15th century. Novelty of entertainment was then sought for in the splendid courts of Italy, in order to celebrate events which were thought great in their time, such as the marriages of princes, or the triumphs of their arms. Invention was on the rack for novelty, and the skill of the machinist was taxed to the utmost. It has been supposed that the art of the old Roman _pantomimi_ was then revived, to add to the attractions of court-dances. Under the Roman empire the _pantomimi_ had represented either a mythological story, or perhaps a scene from a Greek tragedy, by mute gestures, while a chorus, placed in the background, sang _cantica_ to narrate the fable, or to describe the action of the scene. The question is whether mute pantomimic action, which is the essence of modern ballet, was carried through those court entertainments, in which kings, queens, princes and princesses, took parts with the courtiers; or whether it is of later growth, and derived from professional dances upon the stage. The former is the general opinion, but the court entertainments of Italy and France were masques or masks which included declamation and song, like those of Ben Jonson with Inigo Jones for the court of James I. Entry: BALLET