I have seen the truth; I have seen and I know that people can be beautiful and happy without losing the power of living on earth. I will not and cannot believe that evil is the normal condition of mankind. And it is just this faith of mine that they laugh at. But how can I help believing it? I have seen the truth — it is not as though I had invented it with my mind, I have seen it, seen it, and the living image of it has filled my soul for ever. I have seen it in such full perfection that I cannot believe that it is impossible for people to have it. And so how can I go wrong? I shall make some slips no doubt, and shall perhaps talk in second-hand language, but not for long: the living image of what I saw will always be with me and will always correct and guide me. Oh, I am full of courage and freshness, and I will go on and on if it were for a thousand years! Do you know, at first I meant to conceal the fact that I corrupted them, but that was a mistake — that was my first mistake! But truth whispered to me that I was lying, and preserved me and corrected me. But how establish paradise — I don't know, because I do not know how to put it into words. After my dream I lost command of words. All the chief words, anyway, the most necessary ones. But never mind, I shall go and I shall keep talking, I won't leave off, for anyway I have seen it with my own eyes, though I cannot describe what I saw. But the scoffers do not understand that. It was a dream, they say, delirium, hallucination. Oh! As though that meant so much! And they are so proud! A dream! What is a dream? And is not our life a dream? I will say more. Suppose that this paradise will never come to pass (that I understand), yet I shall go on preaching it. And yet how simple it is: in one day, in one hour everything could be arranged at once! The chief thing is to love others like yourself, that's the chief thing, and that's everything; nothing else is wanted — you will find out at once how to arrange it all. And yet it's an old truth which has been told and retold a billion times — but it has not formed part of our lives! The consciousness of life is higher than life, the knowledge of the laws of happiness is higher than happiness — that is what one must contend against. And I shall. If only everyone wants it, it can be arranged at once.
I carry your heart with me (I carry it in my heart)I am never without it (anywhere I go you go,my dear; and whatever is done by only me is your doing,my darling) I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart I carry your heart (I carry it in my heart)
Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, 'Who am I to be brilliant, gorgeous, talented, fabulous?' Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It's not just in some of us; it's in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.
What they said: What they meant: "If you knew this person as well as I know him, you would think as much of him as I do." (Or as little, to phrase it slightly more accurately.) "Her input was always critical." (She never had a good word to say.) "I have no doubt about his capability to do good work." (And it's nonexistent.) "This candidate would lend balance to a department like yours, which already has so many outstanding members." (Unless you already have a moron.) "His presentation to my seminar last semester was truly remarkable: one unbelievable result after another." (And we didn't believe them, either.) "She is quite uniform in her approach to any function you may assign her." (In fact, to life in general...)
And all that the Lorax left here in this mess was a small pile of rocks with the one word, "unless." Whatever THAT meant, well, I just couldn't guess. That was long, long ago, and each day since that day, I've worried and worried and worried away. Through the years as my buildings have fallen apart, I've worried about it with all of my heart. "BUT," says the Oncler, "now that you're here, the word of the Lorax seems perfectly clear! UNLESS someone like you cares a whole awful lot, nothing is going to get better - it's not. So... CATCH!" cries the Oncler. He lets something fall. "It's a truffula seed. It's the last one of all! "You're in charge of the last of the truffula seeds. And truffula trees are what everyone needs. Plant a new truffula -- treat it with care. Give it clean water and feed it fresh air. Grow a forest -- protect it from axes that hack. Then the Lorax and all of his friends may come back!"
<aj> come on <aj> it's a pico clone <aj> it's *meant* to be annoying
"And as for Mitya's being mad, he certainly seems like it now," Grushenka began with a peculiarly anxious and mysterious air. "Do you know, Alyosha, I've been wanting to talk to you about it for a long time. I go to him every day and simply wonder at him. Tell me, now, what do you suppose he's always talking about? He talks and talks and I can make nothing of it. I fancied he was talking of something intellectual that I couldn't understand in my foolishness. Only he suddenly began talking to me about a babe--that is, about some child. 'Why is the babe poor?' he said. 'It's for that babe I am going to Siberia now. I am not a murderer, but I must go to Siberia!' What that meant, what babe, I couldn't tell for the life of me. Only I cried when he said it, because he said it so nicely. He cried himself, and I cried, too. He suddenly kissed me and made the sign of the cross over me. What did it mean, Alyosha, tell me? What is this babe?"
"And I know why she'd be ashamed," said Petya, offended by Natasha's previous remark. "It's because she was in love with that fat one in spectacles" (that was how Petya described his namesake, the new Count Bezukhov) "and now she's in love with that singer" (he meant Natasha's Italian singing master), "that's why she's ashamed!"
"And so I swear it is Death," said he, putting his pipe back in his mouth, "and Death by the rope, in the open street not fur from this, and it's serious that you should fully understand it to be so. What then, when that's once done? Here I am. To go back now 'ud be as bad as to stand ground--worse. Besides, Pip, I'm here, because I've meant<b> it by you, years and years. As to what I dare, I'm a old bird now, as has dared all manner of traps since first he was fledged, and I'm not afeerd to perch upon a scarecrow. If there's Death hid inside of it, there is, and let him come out, and I'll face him, and then I'll believe in him and not afore. And now let me have a look at my gentleman agen."
"Pip," said Estella, casting her glance over the room, "don't be foolish about its effect on you. It may have its effect on others, and may be meant to have. It's not worth discussing."
"But time passed, and Fyodor Pavlovitch did not give the prisoner the expected three thousand; on the contrary, the latter heard that he meant to use this sum to seduce the woman he, the prisoner, loved. 'If Fyodor Pavlovitch doesn't give the money,' he thought, 'I shall be put in the position of a thief before Katerina Ivanovna.' And then the idea presented itself to him that he would go to Katerina Ivanovna, lay before her the fifteen hundred roubles he still carried round his neck, and say, 'I am a scoundrel, but not a thief.' So here we have already a twofold reason why he should guard that sum of money as the apple of his eye, why he shouldn't unpick the little bag, and spend it a hundred at a time. Why should you deny the prisoner a sense of honor? Yes, he has a sense of honor, granted that it's misplaced, granted it's often mistaken, yet it exists and amounts to a passion, and he has proved that.
But what most puzzled and confounded you was a long, limber, portentous, black mass of something hovering in the centre of the picture over three blue, dim, perpendicular lines floating in a nameless yeast. A boggy, soggy, squitchy picture truly, enough to drive a nervous man distracted. Yet was there a sort of indefinite, half-attained, unimaginable sublimity about it that fairly froze you to it, till you involuntarily took an oath with yourself to find out what that marvellous painting meant. Ever and anon a bright, but, alas, deceptive idea would dart you through.--It's the Black Sea in a midnight gale.--It's the unnatural combat of the four primal elements.--It's a blasted heath.--It's a Hyperborean winter scene.--It's the breaking-up of the icebound stream of Time. But at last all these fancies yielded to that one portentous something in the picture's midst. THAT once found out, and all the rest were plain. But stop; does it not bear a faint resemblance to a gigantic fish? even the great leviathan himself?
Strange to say, a queer, irrational vexation rose up in his heart that she was not here. "It's not that she's not here," he explained to himself, immediately, "but that I can't tell for certain whether she is or not." Mitya remembered afterwards that his mind was at that moment exceptionally clear, that he took in everything to the slightest detail, and missed no point. But a feeling of misery, the misery of uncertainty and indecision, was growing in his heart with every instant. "Is she here or not?" The angry doubt filled his heart, and suddenly, making up his mind, he put out his hand and softly knocked on the window frame. He knocked the signal the old man had agreed upon with Smerdyakov, twice slowly and then three times more quickly, the signal that meant "Grushenka is here!"
"But ... that's absurd!" he cried, flushing. "Your poem is in praise of Jesus, not in blame of Him--as you meant<b> it to be. And who will believe you about freedom? Is that the way to understand it? That's not the idea of it in the Orthodox Church.... That's Rome, and not even the whole of Rome, it's false--those are the worst of the Catholics, the Inquisitors, the Jesuits!... And there could not be such a fantastic creature as your Inquisitor. What are these sins of mankind they take on themselves? Who are these keepers of the mystery who have taken some curse upon themselves for the happiness of mankind? When have they been seen? We know the Jesuits, they are spoken ill of, but surely they are not what you describe? They are not that at all, not at all.... They are simply the Romish army for the earthly sovereignty of the world in the future, with the Pontiff of Rome for Emperor ... that's their ideal, but there's no sort of mystery or lofty melancholy about it.... It's simple lust of power, of filthy earthly gain, of domination--something like a universal serfdom with them as masters--that's all they stand for. They don't even believe in God perhaps. Your suffering Inquisitor is a mere fantasy."
"Yes, a grand feast the night before. Damn it all, gentlemen! Do make haste and finish it. I meant to shoot myself not far from here, beyond the village, and I'd planned to do it at five o'clock in the morning. And I had a note in my pocket already. I wrote it at Perhotin's when I loaded my pistols. Here's the letter. Read it! It's not for you I tell it," he added contemptuously. He took it from his waistcoat pocket and flung it on the table. The lawyers read it with curiosity, and, as is usual, added it to the papers connected with the case.
"It is plain to me, that _you_ are not in it at all," he continued, at last, a little less vaguely, "but perhaps you had better not come to our house for a little while. I ask you in the friendliest manner, mind; just till the wind changes again. As for Evgenie Pavlovitch," he continued with some excitement, "the whole thing is a calumny, a dirty calumny. It is simply a plot, an intrigue, to upset our plans and to stir up a quarrel. You see, prince, I'll tell you privately, Evgenie and ourselves have not said a word yet, we have no formal understanding, we are in no way bound on either side, but the word may be said very soon, don't you see, _very_ soon, and all this is most injurious, and is meant to be so. Why? I'm sure I can't tell you. She's an extraordinary woman, you see, an eccentric woman; I tell you I am so frightened of that woman that I can't sleep. What a carriage that was, and where did it come from, eh? I declare, I was base enough to suspect Evgenie at first; but it seems certain that that cannot be the case, and if so, why is she interfering here? That's the riddle, what does she want? Is it to keep Evgenie to herself? But, my dear fellow, I swear to you, I swear he doesn't even _know_ her, and as for those bills, why, the whole thing is an invention! And the familiarity of the woman! It's quite clear we must treat the impudent creature's attempt with disdain, and redouble our courtesy towards Evgenie. I told my wife so.
"I thought I'd got sober. I'd no business to drink to-night. But it's in my head yet--worse'n when we started here. I'm all in a muddle; can't recollect anything of it, hardly. Tell me, Joe--_honest_, now, old feller--did I do it? Joe, I never meant to--'pon my soul and honor, I never meant to, Joe. Tell me how it was, Joe. Oh, it's awful--and him so young and promising."
"Well, I confess you've reassured me somewhat," Miüsov said smiling, again crossing his legs. "So far as I understand, then, the realization of such an ideal is infinitely remote, at the second coming of Christ. That's as you please. It's a beautiful Utopian dream of the abolition of war, diplomacy, banks, and so on--something after the fashion of socialism, indeed. But I imagined that it was all meant seriously, and that the Church might be _now_ going to try criminals, and sentence them to beating, prison, and even death."
"Would you believe it, I had some thoughts of marrying Totski, four years ago! I meant mischief, I confess--but I could have had him, I give you my word; he asked me himself. But I thought, no! it's not worthwhile to take such advantage of him. No! I had better go on to the streets, or accept Rogojin, or become a washerwoman or something--for I have nothing of my own, you know. I shall go away and leave everything behind, to the last rag--he shall have it all back. And who would take me without anything? Ask Gania, there, whether he would. Why, even Ferdishenko wouldn't have me!"
"I meant to say--I only meant to say," said the prince, faltering, "I merely meant to explain to Aglaya Ivanovna--to have the honour to explain, as it were--that I had no intention--never had--to ask the honour of her hand. I assure you I am not guilty, Aglaya Ivanovna, I am not, indeed. I never did wish to--I never thought of it at all--and never shall--you'll see it yourself--you may be quite assured of it. Some wicked person has been maligning me to you; but it's all right. Don't worry about it."
"That boy, Nikolay Parfenovitch, to whom I was talking nonsense about women only a few days ago, and that sickly prosecutor are not worth my telling this to," he reflected mournfully. "It's ignominious. 'Be patient, humble, hold thy peace.' " He wound up his reflections with that line. But he pulled himself together to go on again. When he came to telling of his visit to Madame Hohlakov, he regained his spirits and even wished to tell a little anecdote of that lady which had nothing to do with the case. But the investigating lawyer stopped him, and civilly suggested that he should pass on to "more essential matters." At last, when he described his despair and told them how, when he left Madame Hohlakov's, he thought that he'd "get three thousand if he had to murder some one to do it," they stopped him again and noted down that he had "meant to murder some one." Mitya let them write it without protest. At last he reached the point in his story when he learned that Grushenka had deceived him and had returned from Samsonov's as soon as he left her there, though she had said that she would stay there till midnight.
"Well, that must be me," she hurried on again. "Of course I am meant. Scarcely more than an hour before, I suggested gold mines to him, and here they talk of 'middle-aged charms' as though that were my motive! He writes that out of spite! God Almighty forgive him for the middle-aged charms, as I forgive him! You know it's-- Do you know who it is? It's your friend Rakitin."
Along during the morning I borrowed a sheet and a white shirt off of the clothes-line; and I found an old sack and put them in it, and we went down and got the fox-fire, and put that in too. I called it borrowing, because that was what pap always called it; but Tom said it warn't borrowing, it was stealing. He said we was representing prisoners; and prisoners don't care how they get a thing so they get it, and nobody don't blame them for it, either. It ain't no crime in a prisoner to steal the thing he needs to get away with, Tom said; it's his right; and so, as long as we was representing a prisoner, we had a perfect right to steal anything on this place we had the least use for to get ourselves out of prison with. He said if we warn't prisoners it would be a very different thing, and nobody but a mean, ornery person would steal when he warn't a prisoner. So we allowed we would steal everything there was that come handy. And yet he made a mighty fuss, one day, after that, when I stole a watermelon out of the nigger-patch and eat it; and he made me go and give the niggers a dime without telling them what it was for. Tom said that what he meant was, we could steal anything we _needed_. Well, I says, I needed the watermelon. But he said I didn't need it to get out of prison with; there's where the difference was. He said if I'd a wanted it to hide a knife in, and smuggle it to Jim to kill the seneskal with, it would a been all right. So I let it go at that, though I couldn't see no advantage in my representing a prisoner if I got to set down and chaw over a lot of gold-leaf distinctions like that every time I see a chance to hog a watermelon.
"Oh, do you know? While you were talking in the study I was looking at you," Natasha began, evidently anxious to disperse the cloud that had come over them. "You are as like him as two peas--like the boy." (She meant her little son.) "Oh, it's time to go to him.... The milk's come.... But I'm sorry to leave you."
He did stay a little longer; but the embers that still burnt in him refused to be covered up. He would fain have ceased writing, and used to say, "It's a great thing to know when to stop"; but he could not stop, and did not stop, till the last. He continued to publish from time to time, in the magazines, poems which showed a clearness of vision and a perfection of workmanship such as he never had equalled at any period of his life. Indeed it may be said that his finest poems were his last. Of these a small collection appeared under the title of _Keramos, and other Poems_ (1878). Besides these, in the years 1875-1878 he edited a collection of _Poems of Places_ in thirty-one small volumes. In 1880 appeared _Ultima Thule_, meant to be his last work, and it was nearly so. In October 1881 he wrote a touching sonnet on the death of President Garfield, and in January 1882, when the hand of death was already upon him, his poem, _Hermes Trismegistus_, in which he gives utterance, in language as rich as that of the early gods, to that strange feeling of awe without fear, and hope without form, with which every man of spotless life and upright intellect withdraws from the phenomena of time to the realities of eternity. Entry: A