As usual, there is a great woman behind every idiot.
FORTUNE DISCUSSES THE DIFFERENCES BETWEEN MEN AND WOMEN: #16 Relationships: First of all, a man does not call a relationship a relationship -- he refers to it as "that time when me and Suzie were doing it on a semi-regular basis". When a relationship ends, a woman will cry and pour her heart out to her girlfriends, and she will write a poem titled "All Men Are Idiots". Then she will get on with her life. A man has a little more trouble letting go. Six months after the breakup, at 3:00 a.m. on a Saturday night, he will call and say, "I just wanted to let you know you ruined my life, and I'll never forgive you, and I hate you, and you're a total floozy. But I want you to know that there's always a chance for us". This is known as the "I Hate You / I Love You" drunken phone call, that 99% if all men have made at least once. There are community colleges that offer courses to help men get over this need; alas, these classes rarely prove effective.
It is a well known fact that warriors and wizards do not get along, because one side considers the other side to be a collection of bloodthirsty idiots</p> who can't walk and think at the same time, while the other side is naturally suspicious of a body of men who mumble a lot and wear long dresses. Oh, say the wizards, if we're going to be like that, then, what about all those studded collars and oiled muscles down at the Young Men's Pagan Association? To which the heroes reply, that's a pretty good allegation from a bunch of wimpsoes who won't go near a woman on account, can you believe it, of their mystical power being sort of drained out. Right, say the wizards, that just about does it, you and your leather posing pouches. Oh yeah, say the the heroes, why don't you ... -- Terry Pratchett, "The Light Fantastic"
"Nastasia Philipovna." said the prince, quietly, and with deep emotion, "I said before that I shall esteem your consent to be my wife as a great honour to myself, and shall consider that it is you who will honour me, not I you, by our marriage. You laughed at these words, and others around us laughed as well; I heard them. Very likely I expressed myself funnily, and I may have looked funny, but, for all that, I believe I understand where honour lies, and what I said was but the literal truth. You were about to ruin yourself just now, irrevocably; you would never have forgiven yourself for so doing afterwards; and yet, you are absolutely blameless. It is impossible that your life should be altogether ruined at your age. What matter that Rogojin came bargaining here, and that Gavrila Ardalionovitch would have deceived you if he could? Why do you continually remind us of these facts? I assure you once more that very few could find it in them to act as you have acted this day. As for your wish to go with Rogojin, that was simply the idea of a delirious and suffering brain. You are still quite feverish; you ought to be in bed, not here. You know quite well that if you had gone with Rogojin, you would have become a washer-woman next day, rather than stay with him. You are proud, Nastasia Philipovna, and perhaps you have really suffered so much that you imagine yourself to be a desperately guilty woman. You require a great deal of petting and looking after, Nastasia Philipovna, and I will do this. I saw your portrait this morning, and it seemed quite a familiar face to me; it seemed to me that the portrait-face was calling to me for help. I--I shall respect you all my life, Nastasia Philipovna," concluded the prince, as though suddenly recollecting himself, and blushing to think of the sort of company before whom he had said all this.
An old woman opened to them and bowed low to Parfen, who asked her some questions hurriedly, but did not wait to hear her answer. He led the prince on through several dark, cold-looking rooms, spotlessly clean, with white covers over all the furniture.
Aglaya had made for the door in terror, but she stopped at the threshold, and listened. "Shall I turn Rogojin off? Ha! ha! you thought I would marry him for your benefit, did you? Why, I'll call out _now_, if you like, in your presence, 'Rogojin, get out!' and say to the prince, 'Do you remember what you promised me?' Heavens! what a fool I have been to humiliate myself before them! Why, prince, you yourself gave me your word that you would marry me whatever happened, and would never abandon me. You said you loved me and would forgive me all, and--and resp--yes, you even said that! I only ran away from you in order to set you free, and now I don't care to let you go again. Why does she treat me so--so shamefully? I am not a loose woman--ask Rogojin there! He'll tell you. Will you go again now that she has insulted me, before your eyes, too; turn away from me and lead her away, arm-in-arm? May you be accursed too, for you were the only one I trusted among them all! Go away, Rogojin, I don't want you," she continued, blind with fury, and forcing the words out with dry lips and distorted features, evidently not believing a single word of her own tirade, but, at the same time, doing her utmost to prolong the moment of self-deception.
"It appeared to me, at the first glance, that both the man and the woman were respectable people, but brought to that pitch of poverty where untidiness seems to get the better of every effort to cope with it, till at last they take a sort of bitter satisfaction in it. When I entered the room, the man, who had entered but a moment before me, and was still unpacking his parcels, was saying something to his wife in an excited manner. The news was apparently bad, as usual, for the woman began whimpering. The man's face seemed to me to be refined and even pleasant. He was dark-complexioned, and about twenty-eight years of age; he wore black whiskers, and his lip and chin were shaved. He looked morose, but with a sort of pride of expression. A curious scene followed.
"Her mother allowed all this to go on, and nodded her head and encouraged them. The old woman was very ill at that time, and knew she was dying (she really did die a couple of months later), and though she felt the end approaching she never thought of forgiving her daughter, to the very day of her death. She would not even speak to her. She made her sleep on straw in a shed, and hardly gave her food enough to support
"If you had cared to be an honest woman, you would have gone out as a laundress."
That month in the provinces, when he had seen this woman nearly every day, had affected him so deeply that he could not now look back upon it calmly. In the very look of this woman there was something which tortured him. In conversation with Rogojin he had attributed this sensation to pity--immeasurable pity, and this was the truth. The sight of the portrait face alone had filled his heart full of the agony of real sympathy; and this feeling of sympathy, nay, of actual _suffering_, for her, had never left his heart since that hour, and was still in full force. Oh yes, and more powerful than ever!
"How 'means nothing'? You are talking nonsense, my friend. You are marrying the woman you love in order to secure her happiness, and Aglaya sees and knows it. How can you say that it's 'not the point'?"
"You have not quite understood," she said. "I did not come to quarrel with you, though I do not like you. I came to speak to you as... as one human being to another. I came with my mind made up as to what I had to say to you, and I shall not change my intention, although you may misunderstand me. So much the worse for you, not for myself! I wished to reply to all you have written to me and to reply personally, because I think that is the more convenient way. Listen to my reply to all your letters. I began to be sorry for Prince Lef Nicolaievitch on the very day I made his acquaintance, and when I heard--afterwards--of all that took place at your house in the evening, I was sorry for him because he was such a simple-minded man, and because he, in the simplicity of his soul, believed that he could be happy with a woman of your character. What I feared actually took place; you could not love him, you tortured him, and threw him over. You could not love him because you are too proud--no, not proud, that is an error; because you are too vain--no, not quite that either; too self-loving; you are self-loving to madness. Your letters to me are a proof of it. You could not love so simple a soul as his, and perhaps in your heart you despised him and laughed at him. All you could love was your shame and the perpetual thought that you were disgraced and insulted. If you were less shameful, or had no cause at all for shame, you would be still more unhappy than you are now."
"How dared they, how _dared_ they write that hateful anonymous letter informing me that Aglaya is in communication with Nastasia Philipovna?" she thought, as she dragged the prince along towards her own house, and again when she sat him down at the round table where the family was already assembled. "How dared they so much as _think_ of such a thing? I should _die_ with shame if I thought there was a particle of truth in it, or if I were to show the letter to Aglaya herself! Who dares play these jokes upon _us_, the Epanchins? _Why_ didn't we go to the Yelagin instead of coming down here? I _told_ you we had better go to the Yelagin this summer, Ivan Fedorovitch. It's all your fault. I dare say it was that Varia who sent the letter. It's all Ivan Fedorovitch. _That_ woman is doing it all for him, I know she is, to show she can make a fool of him now just as she did when he used to give her pearls.
"You are very unfair to me, and to that unfortunate woman of whom you spoke just now in such dreadful terms, Aglaya."
"I _do_ know all!" she cried, with another burst of indignation. "You were living in the same house as that horrible woman with whom you ran away." She did not blush as she said this; on the contrary, she grew pale, and started from her seat, apparently oblivious of what she did, and immediately sat down again. Her lip continued to tremble for a long
The latter, amazed at her conduct, began to express his displeasure; but he very soon became aware that he must change his voice, style, and everything else, with this young lady; the good old times were gone. An entirely new and different woman sat before him, between whom and the girl he had left in the country last July there seemed nothing in
"But do you know what I have been thinking out during this last week, Parfen? I'll tell you. What if she loves you now better than anyone? And what if she torments you _because_ she loves you, and in proportion to her love for you, so she torments you the more? She won't tell you this, of course; you must have eyes to see. Why do you suppose she consents to marry you? She must have a reason, and that reason she will tell you some day. Some women desire the kind of love you give her, and she is probably one of these. Your love and your wild nature impress her. Do you know that a woman is capable of driving a man crazy almost, with her cruelties and mockeries, and feels not one single pang of regret, because she looks at him and says to herself, 'There! I'll torment this man nearly into his grave, and then, oh! how I'll compensate him for it all with my love!'"
And, indeed, there were no words in which he could have expressed his horror, yes, _horror_, for he was now fully convinced from his own private knowledge of her, that the woman was mad.
When he fell into a heavy sleep on the sofa on the verandah, without having had the courage to open a single one of the three envelopes, he again dreamed a painful dream, and once more that poor, "sinful" woman appeared to him. Again she gazed at him with tears sparkling on her long lashes, and beckoned him after her; and again he awoke, as before, with the picture of her face haunting him.
Mrs. General Epanchin was a proud woman by nature. What must her feelings have been when she heard that Prince Muishkin, the last of his and her line, had arrived in beggar's guise, a wretched idiot, a recipient of charity--all of which details the general gave out for greater effect! He was anxious to steal her interest at the first swoop, so as to distract her thoughts from other matters nearer home.
"What a regular old woman I am today," he had said to himself each time, with annoyance. "I believe in every foolish presentiment that comes into my head."
"Oh! do be quiet! You must be drunk! He has taken it into his head to play the lawyer, prince, and he practices speechifying, and is always repeating his eloquent pleadings to his children. And who do you think was his last client? An old woman who had been robbed of five hundred roubles, her all, by some rogue of a usurer, besought him to take up her case, instead of which he defended the usurer himself, a Jew named Zeidler, because this Jew promised to give him fifty roubles...."
"Marie was very gentle to her mother, and nursed her, and did everything for her; but the old woman accepted all her services without a word and never showed her the slightest kindness. Marie bore all this; and I could see when I got to know her that she thought it quite right and fitting, considering herself the lowest and meanest of creatures.
"Oh, aren't you ashamed of yourself--aren't you ashamed? Are you really the sort of woman you are trying to represent yourself to be? Is it possible?" The prince was now addressing Nastasia, in a tone of reproach, which evidently came from his very heart.
"On the table, as in the other room, burned a tallow candle-end in an iron candlestick; and on the bed there whined a baby of scarcely three weeks old. A pale-looking woman was dressing the child, probably the mother; she looked as though she had not as yet got over the trouble of childbirth, she seemed so weak and was so carelessly dressed. Another child, a little girl of about three years old, lay on the sofa, covered over with what looked like a man's old dress-coat.
At the first sound of Nastasia's voice a shudder ran through her frame. Of course "that woman" observed and took in all this.
"To this keen question I replied as keenly, 'The Russian heart can recognize a great man even in the bitter enemy of his country.' At least, I don't remember the exact words, you know, but the idea was as I say. Napoleon was struck; he thought a minute and then said to his suite: 'I like that boy's pride; if all Russians think like this child, then--' he didn't finish, but went on and entered the palace. I instantly mixed with his suite, and followed him. I was already in high favour. I remember when he came into the first hall, the emperor stopped before a portrait of the Empress Katherine, and after a thoughtful glance remarked, 'That was a great woman,' and passed on.
At the end of that time, and about four months after Totski's last visit (he had stayed but a fortnight on this occasion), a report reached Nastasia Philipovna that he was about to be married in St. Petersburg, to a rich, eminent, and lovely woman. The report was only partially true, the marriage project being only in an embryo condition; but a great change now came over Nastasia Philipovna. She suddenly displayed unusual decision of character; and without wasting time in thought, she left her country home and came up to St. Petersburg, straight to Totski's house, all alone.
"I do not wish to quarrel with them about this; in some things they won't be reasonable. I always did feel a loathing for the laws which seem to guide mamma's conduct at times. I don't speak of father, for he cannot be expected to be anything but what he is. Mother is a noble-minded woman, I know; you try to suggest anything mean to her, and you'll see! But she is such a slave to these miserable creatures! I don't mean old Bielokonski alone. She is a contemptible old thing, but she is able to twist people round her little finger, and I admire that in her, at all events! How mean it all is, and how foolish! We were always middle-class, thoroughly middle-class, people. Why should we attempt to climb into the giddy heights of the fashionable world? My sisters are all for it. It's Prince S. they have to thank for poisoning their minds. Why are you so glad that Evgenie Pavlovitch is coming?"
To all this her mother replied that Alexandra was a freethinker, and that all this was due to that "cursed woman's rights question."
"Never more--from that sweet moment-- Gazéd he on womankind; He was dumb to love and wooing And to all their graces blind.
"An old peasant woman opened the door; she was busy lighting the 'samovar' in a tiny kitchen. She listened silently to my questions, did not understand a word, of course, and opened another door leading into a little bit of a room, low and scarcely furnished at all, but with a large, wide bed in it, hung with curtains. On this bed lay one Terentich, as the woman called him, drunk, it appeared to me. On the table was an end of candle in an iron candlestick, and a half-bottle of vodka, nearly finished. Terentich muttered something to me, and signed towards the next room. The old woman had disappeared, so there was nothing for me to do but to open the door indicated. I did so, and entered the next room.
"And yet you flush up as red as a rosebud! Come--it's all right. I'm not going to laugh at you. Do you know she is a very virtuous woman? Believe it or not, as you like. You think she and Totski--not a bit of it, not a bit of it! Not for ever so long! _Au revoir!_"
The lady of the house appeared to be a woman of about fifty years of age, thin-faced, and with black lines under the eyes. She looked ill and rather sad; but her face was a pleasant one for all that; and from the first word that fell from her lips, any stranger would at once conclude that she was of a serious and particularly sincere nature. In spite of her sorrowful expression, she gave the idea of possessing considerable firmness and decision.
"Well, I went homewards, and near the hotel I came across a poor woman, carrying a child--a baby of some six weeks old. The mother was quite a girl herself. The baby was smiling up at her, for the first time in its life, just at that moment; and while I watched the woman she suddenly crossed herself, oh, so devoutly! 'What is it, my good woman I asked her. (I was never but asking questions then!) Exactly as is a mother's joy when her baby smiles for the first time into her eyes, so is God's joy when one of His children turns and prays to Him for the first time, with all his heart!' This is what that poor woman said to me, almost word for word; and such a deep, refined, truly religious thought it was--a thought in which the whole essence of Christianity was expressed in one flash--that is, the recognition of God as our Father, and of God's joy in men as His own children, which is the chief idea of Christ. She was a simple country-woman--a mother, it's true--and perhaps, who knows, she may have been the wife of the drunken soldier!
"She--ah, that's where all the mischief of it lies!" replied Ivolgin, frowning. "Without a word, as it were, of warning, she slapped me on the cheek! An extraordinary woman!"
"Did no one awake me besides yourself? Was there no one else here? I thought there was another woman."
But why recall all this? There was insanity on both sides. For him, the prince, to love this woman with passion, was unthinkable. It would be cruel and inhuman. Yes. Rogojin is not fair to himself; he has a large heart; he has aptitude for sympathy. When he learns the truth, and finds what a pitiable being is this injured, broken, half-insane creature, he will forgive her all the torment she has caused him. He will become her slave, her brother, her friend. Compassion will teach even Rogojin, it will show him how to reason. Compassion is the chief law of human existence. Oh, how guilty he felt towards Rogojin! And, for a few warm, hasty words spoken in Moscow, Parfen had called him "brother," while he--but no, this was delirium! It would all come right! That gloomy Parfen had implied that his faith was waning; he must suffer dreadfully. He said he liked to look at that picture; it was not that he liked it, but he felt the need of looking at it. Rogojin was not merely a passionate soul; he was a fighter. He was fighting for the restoration of his dying faith. He must have something to hold on to and believe, and someone to believe in. What a strange picture that of Holbein's is! Why, this is the street, and here's the house, No. 16.
"Oh, what a queen she is!" he ejaculated, every other minute, throwing out the remark for anyone who liked to catch it. "That's the sort of woman for me! Which of you would think of doing a thing like that, you blackguards, eh?" he yelled. He was hopelessly and wildly beside himself with ecstasy.
Aglaya blushed. Perhaps it struck her as very strange and impossible that she should really be sitting here and waiting for "that woman's" reply to her question.
This new woman gave him further to understand that though it was absolutely the same to her whom he married, yet she had decided to prevent this marriage--for no particular reason, but that she _chose_ to do so, and because she wished to amuse herself at his expense for that it was "quite her turn to laugh a little now!"
Ptitsin explained, for the benefit of the company, that the prince's aunt had died five months since. He had never known her, but she was his mother's own sister, the daughter of a Moscow merchant, one Paparchin, who had died a bankrupt. But the elder brother of this same Paparchin, had been an eminent and very rich merchant. A year since it had so happened that his only two sons had both died within the same month. This sad event had so affected the old man that he, too, had died very shortly after. He was a widower, and had no relations left, excepting the prince's aunt, a poor woman living on charity, who was herself at the point of death from dropsy; but who had time, before she died, to set Salaskin to work to find her nephew, and to make her will bequeathing her newly-acquired fortune to him.
"Poor Peter Volhofskoi was desperately in love with Anfisa Alexeyevna. I don't know whether there was anything--I mean I don't know whether he could possibly have indulged in any hope. The poor fellow was beside himself to get her a bouquet of camellias. Countess Sotski and Sophia Bespalova, as everyone knew, were coming with white camellia bouquets. Anfisa wished for red ones, for effect. Well, her husband Platon was driven desperate to find some. And the day before the ball, Anfisa's rival snapped up the only red camellias to be had in the place, from under Platon's nose, and Platon--wretched man--was done for. Now if Peter had only been able to step in at this moment with a red bouquet, his little hopes might have made gigantic strides. A woman's gratitude under such circumstances would have been boundless--but it was practically an impossibility.
"H'm! and you think there was something of this sort here, do you? Dear me--a very remarkable comparison, you know! But you must have observed, my dear Ptitsin, that I did all I possibly could. I could do no more than I did. And you must admit that there are some rare qualities in this woman. I felt I could not speak in that Bedlam, or I should have been tempted to cry out, when she reproached me, that she herself was my best justification. Such a woman could make anyone forget all reason--everything! Even that moujik, Rogojin, you saw, brought her a hundred thousand roubles! Of course, all that happened tonight was ephemeral, fantastic, unseemly--yet it lacked neither colour nor originality. My God! What might not have been made of such a character combined with such beauty! Yet in spite of all efforts--in spite of all education, even--all those gifts are wasted! She is an uncut diamond.... I have often said so."
If, loving a woman above everything in the world, or at least having a foretaste of the possibility of such love for her, one were suddenly to behold her on a chain, behind bars and under the lash of a keeper, one would feel something like what the poor prince now felt.