As in Protestant Europe, by contrast, where sects divided endlessly into smaller competing sects and no church dominated any other, all is different in the fragmented world of IBM. That realm is now a chaos of conflicting norms and standards that not even IBM can hope to control. You can buy a computer that works like an IBM machine but contains nothing made or sold by IBM itself. Renegades from IBM constantly set up rival firms and establish standards of their own. When IBM recently abandoned some of its original standards and decreed new ones, many of its rivals declared a puritan allegiance to IBM's original faith, and denounced the company as a divisive innovator. Still, the IBM world is united by its distrust of icons and imagery. IBM's screens are designed for language, not pictures. Graven images may be tolerated by the luxurious cults, but the true IBM faith relies on the austerity of the word. -- Edward Mendelson, "The New Republic", February 22, 1988
Each of these cults correspond to one of the two antagonists in the age of Reformation. In the realm of the Apple Macintosh, as in Catholic Europe, worshipers peer devoutly into screens filled with "icons." All is sound and imagery and Appledom. Even words look like decorative filigrees in exotic typefaces. The greatest icon of all, the inviolable Apple itself, stands in the dominate position at the upper-left corner of the screen. A central corporate headquarters decrees the form of all rites and practices. Infalliable doctrine issues from one executive officer whose selection occurs in a sealed boardroom. Should anyone in his curia question his powers, the offender is excommunicated into outer darkness. The expelled heretic founds a new company, mutters obscurely of the coming age and the next computer, then disappears into silence, taking his stockholders with him. The mother company forbids financial competition as sternly as it stifles ideological competition; if you want to use computer programs that conform to Apple's orthodoxy, you must buy a computer made and sold by Apple itself. -- Edward Mendelson, "The New Republic", February 22, 1988
If Dr. Seuss Were a Technical Writer..... Here's an easy game to play. Here's an easy thing to say: If a packet hits a pocket on a socket on a port, And the bus is interrupted as a very last resort, And the address of the memory makes your floppy disk abort, Then the socket packet pocket has an error to report! If your cursor finds a menu item followed by a dash, And the double-clicking icon puts your window in the trash, And your data is corrupted 'cause the index doesn't hash, then your situation's hopeless, and your system's gonna crash! You can't say this? What a shame, sir! We'll find you another game, sir. If the label on the cable on the table at your house, Says the network is connected to the button on your mouse, But your packets want to tunnel on another protocol, That's repeatedly rejected by the printer down the hall, And your screen is all distorted by the side effects of gauss, So your icons in the window are as wavy as a souse, Then you may as well reboot and go out with a bang, 'Cause as sure as I'm a poet, the sucker's gonna hang! When the copy of your floppy's getting sloppy on the disk, And the microcode instructions cause unnecessary risc, Then you have to flash your memory and you'll want to ram your rom. Quickly turn off the computer and be sure to tell your mom! -- DementDJ@ccip.perkin-elmer.com (DementDJ) [rec.humor.funny]
She roused herself, and felt appalled at what she had been thinking, and before going down she went into the room where the icons hung and, her eyes fixed on the dark face of a large icon of the Saviour lit by a lamp, she stood before it with folded hands for a few moments. A painful doubt filled her soul. Could the joy of love, of earthly love for a man, be for her? In her thoughts of marriage Princess Mary dreamed of happiness and of children, but her strongest, most deeply hidden longing was for earthly love. The more she tried to hide this feeling from others and even from herself, the stronger it grew. "O God," she said, "how am I to stifle in my heart these temptations of the devil? How am I to renounce forever these vile fancies, so as peacefully to fulfill Thy will?" And scarcely had she put that question than God gave her the answer in her own heart. "Desire nothing for thyself, seek nothing, be not anxious or envious. Man's future and thy own fate must remain hidden from thee, but live so that thou mayest be ready for anything. If it be God's will to prove thee in the duties of marriage, be ready to fulfill His will." With this consoling thought (but yet with a hope for the fulfillment of her forbidden earthly longing) Princess Mary sighed, and having crossed herself went down, thinking neither of her gown and coiffure nor of how she would go in nor of what she would say. What could all that matter in comparison with the will of God, without Whose care not a hair of man's head can fall?
During that year after his son's departure, Prince Nicholas Bolkonski's health and temper became much worse. He grew still more irritable, and it was Princess Mary who generally bore the brunt of his frequent fits of unprovoked anger. He seemed carefully to seek out her tender spots so as to torture her mentally as harshly as possible. Princess Mary had two passions and consequently two joys--her nephew, little Nicholas, and religion--and these were the favorite subjects of the prince's attacks and ridicule. Whatever was spoken of he would bring round to the superstitiousness of old maids, or the petting and spoiling of children. "You want to make him"--little Nicholas--"into an old maid like yourself! A pity! Prince Andrew wants a son and not an old maid," he would say. Or, turning to Mademoiselle Bourienne, he would ask her in Princess Mary's presence how she liked our village priests and icons and would joke about them.
"Well, lad," and a smile changed the tone of his voice "we thought it was a misfortune but it turned out a blessing! If it had not been for my sin, my brother would have had to go as a soldier. But he, my younger brother, had five little ones, while I, you see, only left a wife behind. We had a little girl, but God took her before I went as a soldier. I come home on leave and I'll tell you how it was, I look and see that they are living better than before. The yard full of cattle, the women at home, two brothers away earning wages, and only Michael the youngest, at home. Father, he says, 'All my children are the same to me: it hurts the same whichever finger gets bitten. But if Platon hadn't been shaved for a soldier, Michael would have had to go.' called us all to him and, will you believe it, placed us in front of the icons. 'Michael,' he says, 'come here and bow down to his feet; and you, young woman, you bow down too; and you, grandchildren, also bow down before him! Do you understand?' he says. That's how it is, dear fellow. Fate looks for a head. But we are always judging, 'that's not well--that's not right!' Our luck is like water in a dragnet: you pull at it and it bulges, but when you've drawn it out it's empty! That's how it is."
Round the peasant's deal table, on which lay maps, plans, pencils, and papers, so many people gathered that the orderlies brought in another bench and put it beside the table. Ermolov, Kaysarov, and Toll, who had just arrived, sat down on this bench. In the foremost place, immediately under the icons, sat Barclay de Tolly, his high forehead merging into his bald crown. He had a St. George's Cross round his neck and looked pale and ill. He had been feverish for two days and was now shivering and in pain. Beside him sat Uvarov, who with rapid gesticulations was giving him some information, speaking in low tones as they all did. Chubby little Dokhturov was listening attentively with eyebrows raised and arms folded on his stomach. On the other side sat Count Ostermann- Tolstoy, seemingly absorbed in his own thoughts. His broad head with its bold features and glittering eyes was resting on his hand. Raevski, twitching forward the black hair on his temples as was his habit, glanced now at Kutuzov and now at the door with a look of impatience. Konovnitsyn's firm, handsome, and kindly face was lit up by a tender, sly smile. His glance met Malasha's, and the expression of his eyes caused the little girl to smile.
In this room it was almost dark; only two tiny lamps were burning before the icons and there was a pleasant scent of flowers and burnt pastilles. The room was crowded with small pieces of furniture, whatnots, cupboards, and little tables. The quilt of a high, white feather bed was just visible behind a screen. A small dog began to bark.
Strange as it was to her to acknowledge this feeling in herself, yet there it was. And what seemed still more terrible to her was that since her father's illness began (perhaps even sooner, when she stayed with him expecting something to happen), all the personal desires and hopes that had been forgotten or sleeping within her had awakened. Thoughts that had not entered her mind for years--thoughts of a life free from the fear of her father, and even the possibility of love and of family happiness--floated continually in her imagination like temptations of the devil. Thrust them aside as she would, questions continually recurred to her as to how she would order her life now, after that. These were temptations of the devil and Princess Mary knew it. She knew that the sole weapon against him was prayer, and she tried to pray. She assumed an attitude of prayer, looked at the icons, repeated the words of a prayer, but she could not pray. She felt that a different world had now taken possession of her--the life of a world of strenuous and free activity, quite opposed to the spiritual world in which till now she had been confined and in which her greatest comfort had been prayer. She could not pray, could not weep, and worldly cares took possession of her.
"Monster! Villain!" shouted the woman angrily, suddenly ceasing to weep. "You have no heart, you don't feel for your own child! Another man would have rescued her from the fire. But this is a monster and neither a man nor a father! You, honored sir, are a noble man," she went on, addressing Pierre rapidly between her sobs. "The fire broke out alongside, and blew our way, the maid called out 'Fire!' and we rushed to collect our things. We ran out just as we were.... This is what we have brought away.... The icons, and my dowry bed, all the rest is lost. We seized the children. But not Katie! Ooh! O Lord!..." and again she began to sob. "My child, my dear one! Burned, burned!"
The naturalists and their followers, thinking they can solve this question, are like plasterers set to plaster one side of the walls of a church who, availing themselves of the absence of the chief superintendent of the work, should in an access of zeal plaster over the windows, icons, woodwork, and still unbuttressed walls, and should be delighted that from their point of view as plasterers, everything is now so smooth and regular.
The princess, who had a straight, rigid body, abnormally long for her legs, looked directly at Prince Vasili with no sign of emotion in her prominent gray eyes. Then she shook her head and glanced up at the icons with a sigh. This might have been taken as an expression of sorrow and devotion, or of weariness and hope of resting before long. Prince Vasili understood it as an expression of weariness.
The nurse lit the gilt candles before the icons and sat down by the door with her knitting. Princess Mary took a book and began reading. Only when footsteps or voices were heard did they look at one another, the princess anxious and inquiring, the nurse encouraging. Everyone in the house was dominated by the same feeling that Princess Mary experienced as she sat in her room. But owing to the superstition that the fewer the people who know of it the less a woman in travail suffers, everyone tried to pretend not to know; no one spoke of it, but apart from the ordinary staid and respectful good manners habitual in the prince's household, a common anxiety, a softening of the heart, and a consciousness that something great and mysterious was being accomplished at that moment made itself felt.
The countess, Madame Schoss, and Sonya undressed hastily and lay down. The small lamp in front of the icons was the only light left in the room. But in the yard there was a light from the fire at Little Mytishchi a mile and a half away, and through the night came the noise of people shouting at a tavern Mamonov's Cossacks had set up across the street, and the adjutant's unceasing moans could still be heard.
Bolkhovitinov told him everything and was then silent, awaiting instructions. Toll was beginning to say something but Kutuzov checked him. He tried to say something, but his face suddenly puckered and wrinkled; he waved his arm at Toll and turned to the opposite side of the room, to the corner darkened by the icons that hung there.
From the twenty-eighth till the thirty-first all Moscow was in a bustle and commotion. Every day thousands of men wounded at Borodino were brought in by the Dorogomilov gate and taken to various parts of Moscow, and thousands of carts conveyed the inhabitants and their possessions out by the other gates. In spite of Rostopchin's broadsheets, or because of them or independently of them, the strangest and most contradictory rumors were current in the town. Some said that no one was to be allowed to leave the city, others on the contrary said that all the icons had been taken out of the churches and everybody was to be ordered to leave. Some said there had been another battle after Borodino at which the French had been routed, while others on the contrary reported that the Russian army had been destroyed. Some talked about the Moscow militia which, preceded by the clergy, would go to the Three Hills; others whispered that Augustin had been forbidden to leave, that traitors had been seized, that the peasants were rioting and robbing people on their way from Moscow, and so on. But all this was only talk; in reality (though the Council of Fili, at which it was decided to abandon Moscow, had not yet been held) both those who went away and those who remained behind felt, though they did not show it, that Moscow would certainly be abandoned, and that they ought to get away as quickly as possible and save their belongings. It was felt that everything would suddenly break up and change, but up to the first of September nothing had done so. As a criminal who is being led to execution knows that he must die immediately, but yet looks about him and straightens the cap that is awry on his head, so Moscow involuntarily continued its wonted life, though it knew that the time of its destruction was near when the conditions of life to which its people were accustomed to submit would be completely upset.
All day she had lived only in hope of seeing him that night. But now that the moment had come she was filled with dread of what she might see. How was he maimed? What was left of him? Was he like that incessant moaning of the adjutant's? Yes, he was altogether like that. In her imagination he was that terrible moaning personified. When she saw an indistinct shape in the corner, and mistook his knees raised under the quilt for his shoulders, she imagined a horrible body there, and stood still in terror. But an irresistible impulse drew her forward. She cautiously took one step and then another, and found herself in the middle of a small room containing baggage. Another man--Timokhin--was lying in a corner on the benches beneath the icons, and two others--the doctor and a valet--lay on the floor.
Sonya said that Natasha was in her bedroom. Natasha was sitting on the bed, pale and dry eyed, and was gazing at the icons and whispering something as she rapidly crossed herself. Seeing her mother she jumped up and flew to her.
In Moscow as soon as he entered his huge house in which the faded and fading princesses still lived, with its enormous retinue; as soon as, driving through the town, he saw the Iberian shrine with innumerable tapers burning before the golden covers of the icons, the Kremlin Square with its snow undisturbed by vehicles, the sleigh drivers and hovels of the Sivtsev Vrazhok, those old Moscovites who desired nothing, hurried nowhere, and were ending their days leisurely; when he saw those old Moscow ladies, the Moscow balls, and the English Club, he felt himself at home in a quiet haven. In Moscow he felt at peace, at home, warm and dirty as in an old dressing gown.
The countess, on hearing that Moscow was on fire, began to cry. Natasha, pale, with a fixed look, was sitting on the bench under the icons just where she had sat down on arriving and paid no attention to her father's words. She was listening to the ceaseless moaning of the adjutant, three houses off.
The Council of War began to assemble at two in the afternoon in the better and roomier part of Andrew Savostyanov's hut. The men, women, and children of the large peasant family crowded into the back room across the passage. Only Malasha, Andrew's six-year-old granddaughter whom his Serene Highness had petted and to whom he had given a lump of sugar while drinking his tea, remained on the top of the brick oven in the larger room. Malasha looked down from the oven with shy delight at the faces, uniforms, and decorations of the generals, who one after another came into the room and sat down on the broad benches in the corner under the icons. "Granddad" himself, as Malasha in her own mind called Kutuzov, sat apart in a dark corner behind the oven. He sat, sunk deep in a folding armchair, and continually cleared his throat and pulled at the collar of his coat which, though it was unbuttoned, still seemed to pinch his neck. Those who entered went up one by one to the field marshal; he pressed the hands of some and nodded to others. His adjutant Kaysarov was about to draw back the curtain of the window facing Kutuzov, but the latter moved his hand angrily and Kaysarov understood that his Serene Highness did not wish his face to be seen.
By the side of the path, on the dusty dry grass, all sorts of household goods lay in a heap: featherbeds, a samovar, icons, and trunks. On the ground, beside the trunks, sat a thin woman no longer young, with long, prominent upper teeth, and wearing a black cloak and cap. This woman, swaying to and fro and muttering something, was choking with sobs. Two girls of about ten and twelve, dressed in dirty short frocks and cloaks, were staring at their mother with a look of stupefaction on their pale frightened faces. The youngest child, a boy of about seven, who wore an overcoat and an immense cap evidently not his own, was crying in his old nurse's arms. A dirty, barefooted maid was sitting on a trunk, and, having undone her pale-colored plait, was pulling it straight and sniffing at her singed hair. The woman's husband, a short, round- shouldered man in the undress uniform of a civilian official, with sausage-shaped whiskers and showing under his square-set cap the hair smoothly brushed forward over his temples, with expressionless face was moving the trunks, which were placed one on another, and was dragging some garments from under them.
"What crowds! Just look at the crowds!... They've loaded goods even on the cannon! Look there, those are furs!" they exclaimed. "Just see what the blackguards have looted.... There! See what that one has behind in the cart.... Why, those are settings taken from some icons, by heaven!... Oh, the rascals!... See how that fellow has loaded himself up, he can hardly walk! Good lord, they've even grabbed those chaises!... See that fellow there sitting on the trunks.... Heavens! They're fighting."
The first time Prince Andrew understood where he was and what was the matter with him and remembered being wounded and how was when he asked to be carried into the hut after his caleche had stopped at Mytishchi. After growing confused from pain while being carried into the hut he again regained consciousness, and while drinking tea once more recalled all that had happened to him, and above all vividly remembered the moment at the ambulance station when, at the sight of the sufferings of a man he disliked, those new thoughts had come to him which promised him happiness. And those thoughts, though now vague and indefinite, again possessed his soul. He remembered that he had now a new source of happiness and that this happiness had something to do with the Gospels. That was why he asked for a copy of them. The uncomfortable position in which they had put him and turned him over again confused his thoughts, and when he came to himself a third time it was in the complete stillness of the night. Everybody near him was sleeping. A cricket chirped from across the passage; someone was shouting and singing in the street; cockroaches rustled on the table, on the icons, and on the walls, and a big fly flopped at the head of the bed and around the candle beside him, the wick of which was charred and had shaped itself like a mushroom.
The chief steward, who considered the young count's attempts almost insane--unprofitable to himself, to the count, and to the serfs--made some concessions. Continuing to represent the liberation of the serfs as impracticable, he arranged for the erection of large buildings--schools, hospitals, and asylums--on all the estates before the master arrived. Everywhere preparations were made not for ceremonious welcomes (which he knew Pierre would not like), but for just such gratefully religious ones, with offerings of icons and the bread and salt of hospitality, as, according to his understanding of his master, would touch and delude him.
The count was the first to rise, and with a loud sigh crossed himself before the icon. All the others did the same. Then the count embraced Mavra Kuzminichna and Vasilich, who were to remain in Moscow, and while they caught at his hand and kissed his shoulder he patted their backs lightly with some vaguely affectionate and comforting words. The countess went into the oratory and there Sonya found her on her knees before the icons that had been left here and there hanging on the wall. (The most precious ones, with which some family tradition was connected, were being taken with them.)
Every church has three altars at the eastern end in three contiguous chapels. The central division is called the _haikal_ or sanctuary, which is always divided from the choir by a fixed partition or screen with a small arched doorway closed by double doors. This resembles the Greek iconostasis, the screen on which the "icons" or sacred pictures are placed. _Haikal_ screen and choir screen are often sumptuously carved and inlaid. A marble basin for the mandatum in the nave, and an epiphany tank at the west are common features. The altar is usually built of brick or stone, hollow within, and having an opening to the interior. A wooden altar-slab covered with crosses, &c., lies in a rectangular depression on the surface, and it is used in case of need as a portable altar. Chalice and paten, ewer and basin, crewet and chrismatory, are found as in the Western churches. The aster consists of two crossed half-hoops of silver and is used to place over the wafer. The flabellum is used, though now rarely made of precious metal. Some examples of silver-cased textus now remaining are very fine. Every church possesses thuribles--the use of incense being universal and frequent--and diadems for the marriage service. The use of church bells is forbidden by the Moslems, except in the desert, and church music consists merely of cymbals and triangles which accompany the chanting. Entry: COPTS
The controversies and persecutions of the 8th and succeeding centuries turned the thoughts of the "melodists" of the great monasteries of the Studium at Constantinople and St Saba in Palestine and their followers, and those of the adherents of the Greek rite in Sicily and South Italy (who suffered much from the Saracens and the Normans), into a less picturesque but more strictly theological course; and the influence of those controversies, in which the final success of the cause of "Icons" was largely due to the hymns, as well as to the courage and sufferings, of these confessors, was probably the cause of their supplanting, as they did, the works of the older school. Cardinal Pitra gives them the praise of having discovered a graver and more solemn style of chant, and of having done much to fix the dogmatic theology of their church upon its present lines of near approach to the Roman. Entry: A