BONNIE BROWNIE COOKIE BARS Preheat oven to 350 degrees F., rack in the middle position. 4 one-ounce squares semi-sweet chocolate (or 3/4 cup chocolate chips) 3/4 cup butter (one and a half sticks) 1½ cups white (granulated) sugar 3 beaten eggs (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 cup flour (pack it down in the cup when you measure it) 1/2 cup chopped cashews 1/2 cup chopped butterscotch chips 1/2 cup semi-sweet chocolate chips (I used Ghirardelli) Prepare a 9-inch by 13-inch cake pan by lining it with a piece of foil large enough to flap over the sides. Spray the foil-lined pan with Pam or another nonstick cooking spray. Microwave the chocolate squares and butter in a microwave-safe mixing bowl on HIGH for 1 minute. Stir. (Since chocolate frequently maintains its shape even when melted, you have to stir to make sure.) If it’s not melted, microwave for an additional 20 seconds and stir again. Repeat if necessary. Stir the sugar into the chocolate mixture. Feel the bowl. If it’s not so hot it’ll cook the eggs, add them now, stirring thoroughly. Mix in the vanilla extract. Mix in the flour, and stir just until it’s moistened. Put the cashews, butterscotch chips, and chocolate chips in the bowl of a food processor, and chop them together with the steel blade. (If you don’t have a food processor, you don’t have to buy one for this recipe—just chop everything up as well as you can with a sharp knife.) Mix in the chopped ingredients, give a final stir by hand, and spread the batter out in your prepared pan. Smooth the top with a rubber spatula. Bake at 350 degrees F. for 30 minutes. Cool the Bonnie Brownie Cookie Bars in the pan on a metal rack. When they’re thoroughly cool, grasp the edges of the foil and lift the brownies out of the pan. Place them facedown on a cutting board, peel the foil off the back, and cut them into brownie-sized pieces. Place the squares on a plate and dust lightly with powdered sugar if you wish. Hannah’s Note: If you’re a chocoholic, or if you’re making these for Mother, frost them with Neverfail Fudge Frosting before you cut them.
Well, Libby, I have been thinking about our problem,” he finally said. “My boys enjoy your visits, and ever since I met you I have trouble getting the thought of your smile out of my head.” Her eyes widened and her mouth went dry. He looked distinctly uncomfortable as he stared across the field, but he wasn’t finished speaking and Libby would not stop him for all the gold in the world. “I have always thought you very pretty. A man would be blind not to think so, but when you smile! Well, your smile fills half of your face, and it makes the other half beautiful.” Libby was struck speechless. Had he been suffering from the same irrational infatuation she had been battling these past six weeks? A sense of joy started to bloom inside and she beamed a smile directly at him. “Don’t show it to me!” he said with a nervous laugh and turned away from her. “Your smile will distract me, and this is serious business I wish to discuss.” He shifted his weight and stared off into the distance again. “You have a love of the outdoors and for plants, just as I have. You get along well with my children and it is obvious to anyone that you would be an excellent mother. I think we would be a good match. Perhaps you would consider marrying me?
That which is entirely devoid of light is all darkness; as the night is like this and you wish to represent a night subject, represent a great fire, so that the object which is nearest to the fire may be tinged with its colour, since the object which is nearest the fire will participate most in its nature. And as you will make the fire red, all the objects which it illumines must be red also, and those which are farther off from the fire will be dyed to a greater extent by the dark colour of night. The figures which are between you and the fire appear dark from the obscurity of the night, not from the glow of the firelight, and those which are at the side are half dark and half ruddy, and those which are visible beyond the edge of the flames will be altogether lighted up by the red glow against a black background. As to their action, make those which are near shield themselves with their hands and cloaks against the intense heat with averted faces as though about to flee; with regard to those who are farther off, represent them chiefly in the act of raising their hands to their eyes, dazzled by the intense glare.
Painting is mute poetry, and poetry is blind painting, and both imitate nature to the best of their powers, and both can demonstrate moral principles, as Apelles did in his Calumny. And since painting ministers to the most noble of the senses, the eye, a harmonious proportion ensues from it, that is to say, that just as from the concord of many diverse voices at the same moment there ensues a well-proportioned harmony which will please the sense of hearing to such an extent that the listeners in dizzy admiration are like men half ravished of their senses, still greater will be the effect of the beautiful proportions of a celestial face in a picture from whose proportions a harmonious concord will ensue, which delights the eye in one moment, just as music delights the ear. And if this harmonious beauty is shown to one who is the lover of the woman from whom such great beauty has been copied, he will most certainly be struck dizzy with admiration and incomparable joy superior to that afforded by all the other senses.
him. Not that a hint of his thoughts showed on his face when he walked into The Rainier Room, one of the smaller meeting rooms. Half a dozen worried-looking executives were settling
It’s probably a class for guidance counselors only—How to Emit Inappropriate Joy in the Face of Adolescent Horror. I’m fairly certain they don’t make teachers take it, because they don’t even bother to pretend. Half of them are as miserable as I am.
You will do as follows if you wish to represent a man talking to a number of people: you must consider the matter which he has to treat, and suit his action to the subject; that is to say, if the matter is persuasive, let his action be appropriate to it; if the matter is argumentative, let the speaker hold one finger of the left hand with two fingers of the right hand, closing the two smaller ones, and with his face turned towards the people and his mouth half open, let him seem to be about to speak, and if he is sitting let him appear as though about to rise, with his head forward; if you represent him standing up, let him lean slightly forward, with his body and head towards the people. You must represent the people silent and attentive, looking at the orator's face with gestures of admiration, and depict some old men with the corners of their mouths pulled down in astonishment at what they hear, their cheeks drawn in and full of lines, their eyebrows raised, and thus causing a number of wrinkles on the forehead; again, some must be sitting with the fingers of their hands clasped and resting on their knee; another, a bowed old man, with one knee crossed over the other, and on the knee let him hold his hand, and let his other elbow rest on his hand, and let the hand support his bearded chin.
"Had he and I but met By some old ancient inn, But ranged as infantry, We should have sat us down to wet And staring face to face, Right many a nipperkin! I shot at him as he at me, And killed him in his place. I shot him dead because -- Because he was my foe, He thought he'd 'list, perhaps, Just so: my foe of course he was; Off-hand-like -- just as I -- That's clear enough; although Was out of work -- had sold his traps No other reason why. Yes; quaint and curious war is! You shoot a fellow down You'd treat, if met where any bar is Or help to half-a-crown." -- Thomas Hardy
"They are coming! they are coming!" cried Hannah, throwing open the parlour door. At the same moment old Carlo barked joyfully. Out I ran. It was now dark; but a rumbling of wheels was audible. Hannah soon had a lantern lit. The vehicle had stopped at the wicket; the driver opened the door: first one well-known form, then another, stepped out. In a minute I had my face under their bonnets, in contact first with Mary's soft cheek, then with Diana's flowing curls. They laughed--kissed me--then Hannah: patted Carlo, who was half wild with delight; asked eagerly if all was well; and being assured in the affirmative, hastened into the house.
"Constitute a sin it may, but consider yourself, Grigory Vassilyevitch, that it only extenuates it, if it does constitute. If I had believed then in very truth, as I ought to have believed, then it really would have been sinful if I had not faced tortures for my faith, and had gone over to the pagan Mohammedan faith. But, of course, it wouldn't have come to torture then, because I should only have had to say at that instant to the mountain, 'Move and crush the tormentor,' and it would have moved and at the very instant have crushed him like a black-beetle, and I should have walked away as though nothing had happened, praising and glorifying God. But, suppose at that very moment I had tried all that, and cried to that mountain, 'Crush these tormentors,' and it hadn't crushed them, how could I have helped doubting, pray, at such a time, and at such a dread hour of mortal terror? And apart from that, I should know already that I could not attain to the fullness of the Kingdom of Heaven (for since the mountain had not moved at my word, they could not think very much of my faith up aloft, and there could be no very great reward awaiting me in the world to come). So why should I let them flay the skin off me as well, and to no good purpose? For, even though they had flayed my skin half off my back, even then the mountain would not have moved at my word or at my cry. And at such a moment not only doubt might come over one but one might lose one's reason from fear, so that one would not be able to think at all. And, therefore, how should I be particularly to blame if not seeing my advantage or reward there or here, I should, at least, save my skin. And so trusting fully in the grace of the Lord I should cherish the hope that I might be altogether forgiven."
About half-past nine or ten o'clock he came along the deserted street to where the Adored Unknown lived; he paused a moment; no sound fell upon his listening ear; a candle was casting a dull glow upon the curtain of a second-story window. Was the sacred presence there? He climbed the fence, threaded his stealthy way through the plants, till he stood under that window; he looked up at it long, and with emotion; then he laid him down on the ground under it, disposing himself upon his back, with his hands clasped upon his breast and holding his poor wilted flower. And thus he would die--out in the cold world, with no shelter over his homeless head, no friendly hand to wipe the death-damps from his brow, no loving face to bend pityingly over him when the great agony came. And thus _she_ would see him when she looked out upon the glad morning, and oh! would she drop one little tear upon his poor, lifeless form, would she heave one little sigh to see a bright young life so rudely blighted, so untimely cut down?
He was driving somewhere in the steppes, where he had been stationed long ago, and a peasant was driving him in a cart with a pair of horses, through snow and sleet. He was cold, it was early in November, and the snow was falling in big wet flakes, melting as soon as it touched the earth. And the peasant drove him smartly, he had a fair, long beard. He was not an old man, somewhere about fifty, and he had on a gray peasant's smock. Not far off was a village, he could see the black huts, and half the huts were burnt down, there were only the charred beams sticking up. And as they drove in, there were peasant women drawn up along the road, a lot of women, a whole row, all thin and wan, with their faces a sort of brownish color, especially one at the edge, a tall, bony woman, who looked forty, but might have been only twenty, with a long thin face. And in her arms was a little baby crying. And her breasts seemed so dried up that there was not a drop of milk in them. And the child cried and cried, and held out its little bare arms, with its little fists blue from cold.
One of these women so despised the other, and so longed to express her contempt for her (perhaps she had only come for that very purpose, as Rogojin said next day), that howsoever fantastical was the other woman, howsoever afflicted her spirit and disturbed her understanding, no preconceived idea of hers could possibly stand up against that deadly feminine contempt of her rival. The prince felt sure that Nastasia would say nothing about the letters herself; but he could judge by her flashing eyes and the expression of her face what the thought of those letters must be costing her at this moment. He would have given half his life to prevent Aglaya from speaking of them. But Aglaya suddenly braced herself up, and seemed to master herself fully, all in an instant.
The son of Arcens shone amid the rest, In glitt'ring armor and a purple vest, (Fair was his face, his eyes inspiring love,) Bred by his father in the Martian grove, Where the fat altars of Palicus flame, And send in arms to purchase early fame. Him when he spied from far, the Tuscan king Laid by the lance, and took him to the sling, Thrice whirl'd the thong around his head, and threw: The heated lead half melted as it flew; It pierc'd his hollow temples and his brain; The youth came tumbling down, and spurn'd the plain.
"If you would kindly listen, madam, for half a moment, I'll explain it all in a couple of words," answered Perhotin, firmly. "At five o'clock this afternoon Dmitri Fyodorovitch borrowed ten roubles from me, and I know for a fact he had no money. Yet at nine o'clock, he came to see me with a bundle of hundred-rouble notes in his hand, about two or three thousand roubles. His hands and face were all covered with blood, and he looked like a madman. When I asked him where he had got so much money, he answered that he had just received it from you, that you had given him a sum of three thousand to go to the gold-mines...."
While I looked, I thought myself happy, and was surprised to find myself ere long weeping--and why? For the doom which had reft me from adhesion to my master: for him I was no more to see; for the desperate grief and fatal fury--consequences of my departure--which might now, perhaps, be dragging him from the path of right, too far to leave hope of ultimate restoration thither. At this thought, I turned my face aside from the lovely sky of eve and lonely vale of Morton--I say _lonely_, for in that bend of it visible to me there was no building apparent save the church and the parsonage, half-hid in trees, and, quite at the extremity, the roof of Vale Hall, where the rich Mr. Oliver and his daughter lived. I hid my eyes, and leant my head against the stone frame of my door; but soon a slight noise near the wicket which shut in my tiny garden from the meadow beyond it made me look up. A dog--old Carlo, Mr. Rivers' pointer, as I saw in a moment--was pushing the gate with his nose, and St. John himself leant upon it with folded arms; his brow knit, his gaze, grave almost to displeasure, fixed on me. I asked him to come in.
The commander of the regiment, a thin, feeble-looking old man with a pleasant smile--his eyelids drooping more than half over his old eyes, giving him a mild expression, rode up to Bagration and welcomed him as a host welcomes an honored guest. He reported that his regiment had been attacked by French cavalry and that, though the attack had been repulsed, he had lost more than half his men. He said the attack had been repulsed, employing this military term to describe what had occurred to his regiment, but in reality he did not himself know what had happened during that half-hour to the troops entrusted to him, and could not say with certainty whether the attack had been repulsed or his regiment had been broken up. All he knew was that at the commencement of the action balls and shells began flying all over his regiment and hitting men and that afterwards someone had shouted "Cavalry!" and our men had begun firing. They were still firing, not at the cavalry which had disappeared, but at French infantry who had come into the hollow and were firing at our men. Prince Bagration bowed his head as a sign that this was exactly what he had desired and expected. Turning to his adjutant he ordered him to bring down the two battalions of the Sixth Chasseurs whom they had just passed. Prince Andrew was struck by the changed expression on Prince Bagration's face at this moment. It expressed the concentrated and happy resolution you see on the face of a man who on a hot day takes a final run before plunging into the water. The dull, sleepy expression was no longer there, nor the affectation of profound thought. The round, steady, hawk's eyes looked before him eagerly and rather disdainfully, not resting on anything although his movements were still slow and measured.
As before, he crossed the street and watched the windows from the other side, walking up and down in anguish of soul for half an hour or so in the stifling heat. Nothing stirred; the blinds were motionless; indeed, the prince began to think that the apparition of Rogojin's face could have been nothing but fancy. Soothed by this thought, he drove off once more to his friends at the Ismailofsky barracks. He was expected there. The mother had already been to three or four places to look for Nastasia, but had not found a trace of any kind.
"Starbuck, of late I've felt strangely moved to thee; ever since that hour we both saw--thou know'st what, in one another's eyes. But in this matter of the whale, be the front of thy face to me as the palm of this hand--a lipless, unfeatured blank. Ahab is for ever Ahab, man. This whole act's immutably decreed. 'Twas rehearsed by thee and me a billion years before this ocean rolled. Fool! I am the Fates' lieutenant; I act under orders. Look thou, underling! that thou obeyest mine.--Stand round me, men. Ye see an old man cut down to the stump; leaning on a shivered lance; propped up on a lonely foot. 'Tis Ahab--his body's part; but Ahab's soul's a centipede, that moves upon a hundred legs. I feel strained, half stranded, as ropes that tow dismasted frigates in a gale; and I may look so. But ere I break, ye'll hear me crack; and till ye hear THAT, know that Ahab's hawser tows his purpose yet. Believe ye, men, in the things called omens? Then laugh aloud, and cry encore! For ere they drown, drowning things will twice rise to the surface; then rise again, to sink for evermore. So with Moby Dick--two days he's floated--tomorrow will be the third. Aye, men, he'll rise once more,--but only to spout his last! D'ye feel brave men, brave?"
Then the people begun to flock in, and the beats and the girls took seats in the front row at the head of the coffin, and for a half an hour the people filed around slow, in single rank, and looked down at the dead man's face a minute, and some dropped in a tear, and it was all very still and solemn, only the girls and the beats holding handkerchiefs to their eyes and keeping their heads bent, and sobbing a little. There warn't no other sound but the scraping of the feet on the floor and blowing nosesbecause people always blows them more at a funeral than they do at other places except church.
If any one could have looked into the room just then he would have noticed the hesitation with which Madame de Villefort approached the bed and looked fixedly on Valentine. The dim light, the profound silence, and the gloomy thoughts inspired by the hour, and still more by her own conscience, all combined to produce a sensation of fear; the poisoner was terrified at the contemplation of her own work. At length she rallied, drew aside the curtain, and leaning over the pillow gazed intently on Valentine. The young girl no longer breathed, no breath issued through the half-closed teeth; the white lips no longer quivered--the eyes were suffused with a bluish vapor, and the long black lashes rested on a cheek white as wax. Madame de Villefort gazed upon the face so expressive even in its stillness; then she ventured to raise the coverlet and press her hand upon the young girl's heart. It was cold and motionless. She only felt the pulsation in her own fingers, and withdrew her hand with a shudder. One arm was hanging out of the bed; from shoulder to elbow it was moulded after the arms of Germain Pillon's "Graces," [*] but the fore-arm seemed to be slightly distorted by convulsion, and the hand, so delicately formed, was resting with stiff outstretched fingers on the framework of the bed. The nails, too, were turning blue.
Conversation of this kind, interesting to no one yet unavoidable, continued all through teatime. All the grown-up members of the family were assembled near the round tea table at which Sonya presided beside the samovar. The children with their tutors and governesses had had tea and their voices were audible from the next room. At tea all sat in their accustomed places: Nicholas beside the stove at a small table where his tea was handed to him; Milka, the old gray borzoi bitch (daughter of the first Milka), with a quite gray face and large black eyes that seemed more prominent than ever, lay on the armchair beside him; Denisov, whose curly hair, mustache, and whiskers had turned half gray, sat beside countess Mary with his general's tunic unbuttoned; Pierre sat between his wife and the old countess. He spoke of what he knew might interest the old lady and that she could understand. He told her of external social events and of the people who had formed the circle of her contemporaries and had once been a real, living, and distinct group, but who were now for the most part scattered about the world and like herself were garnering the last ears of the harvests they had sown in earlier years. But to the old countess those contemporaries of hers seemed to be the only serious and real society. Natasha saw by Pierre's animation that his visit had been interesting and that he had much to tell them but dare not say it before the old countess. Denisov, not being a member of the family, did not understand Pierre's caution and being, as a malcontent, much interested in what was occurring in Petersburg, kept urging Pierre to tell them about what had happened in the Semenovsk regiment, then about Arakcheev, and then about the Bible Society. Once or twice Pierre was carried away and began to speak of these things, but Nicholas and Natasha always brought him back to the health of Prince Ivan and Countess Mary Alexeevna.
And while she broke the seal and perused the document, I went on taking my coffee (we were at breakfast): it was hot, and I attributed to that circumstance a fiery glow which suddenly rose to my face. Why my hand shook, and why I involuntarily spilt half the contents of my cup into my saucer, I did not choose to consider.
"Eight years! you must be tenacious of life. I thought half the time in such a place would have done up any constitution! No wonder you have rather the look of another world. I marvelled where you had got that sort of face. When you came on me in Hay Lane last night, I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse: I am not sure yet. Who are your parents?"
At that moment, a door at the other end of the drawing-room opened gently half way, and in the opening Cosette's head appeared. They saw only her sweet face, her hair was in charming disorder, her eyelids were still swollen with sleep. She made the movement of a bird, which thrusts its head out of its nest, glanced first at her husband, then at Jean Valjean, and cried to them with a smile, so that they seemed to behold a smile at the heart of a rose: