Much of the disorder in today’s world can be traced to mankind’s search for a just and orderly economic system, one in which everyone has an equal opportunity to participate as a wealth producer, one through which the forces of technological advance can be harnessed to liberate rather than to destroy human creativity, one in which rigid economic class barriers can be lifted. [ Kelsonian Monetary Weapons for Fighting Inflation , April 15, 1977.]
And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
The secret to creativity is knowing how to hide your sources.
while it’s true that challenges do make us grow, the angels also say that peace leads to even bigger growth spurts. Through peace, our schedules and creativity are more open to giving service. Through peace, our bodies operate in a healthy fashion. Through peace, our relationships thrive and blossom. Through peace, we are shining examples of God’s love.
...when fits of creativity run strong, more than one programmer or writer has
innovation resides where art and science connect is not new. Leonardo da Vinci was the exemplar of the creativity that flourishes when the humanities and sciences interact. When Einstein was stymied while working out General Relativity, he would pull out his violin and play Mozart until he could reconnect to what he called the harmony of the spheres.
I think it's fair to say that personal computers have become the most empowering tool we've ever created. They're tools of communication, they're tools of creativity, and they can be shaped by their user.
... when fits of creativity run strong, more than one programmer or writer
Whatever creativity is, it is in part a solution to a problem.
You can’t use up creativity. The more you use, the more you have
What is clear from [Louis O. Kelso’s ] description is that money is a “social good,” an artifact of civilization invented to facilitate economic transactions for the common good. Like any other human tool or technology, this societal tool can be used justly or unjustly. It can be used by those who control it to suppress the natural creativity of the many, or it can be used to achieve economic liberation and prosperity for all affected by the money economy. [“A New Look at Prices and Money: The Kelsonian Binary Model for Achieving Rapid Growth Without Inflation,” Journal of Socio-Economics , vol. 30, p. 495, 2001.]
There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life and the lives of the people you love. When you learn to tap this source, you will have truly defeated age.
Now, you might be saying, “Jessica, I am not crafty.” I hear you. But I am not talking about crafts. I am talking about living out the God-given passions that are inside of us. Creativity isn’t crafting; it is any original expression you pursue—running, playing music, gardening, sewing, cooking, and so on are all creative acts. Even activities like volunteering and throwing parties are creative pursuits because by giving of ourselves for others we are expressing ourselves in a meaningful way. Moreover, these are activities that inspire us in an indescribable way. And when we make room in our days to include them, we feel more alive and joyful.
...when fits of creativity run strong, more than one programmer or writer has been known to abandon the desktop for the more spacious floor. -- Fred Brooks, Jr.
Mr. DePree believes participative capitalism is the wave of the future. The U.S. work force, he believes, "more and more demands to be included in the capitalist system and if we don't find ways to get the capitalist system to be an inclusive system rather than the exclusive system it has been, we're all in deep trouble. If we don't find ways to begin to understand that capitalism's highest potential lies in the common good, not in the individual good, then we're risking the system itself." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
peculiarity breeds contempt. And the unfortunate thing about being
ahead of your time when people finally realize you were right, they'll
say it was obvious all along.
-- Alan Ashley-Pitt
"In corporate life, I think there are three important areas which contracts can't deal with, the area of conflict, the area of change and area of reaching potential. To me a covenant is a relationship that is based on such things as shared ideals and shared value systems and shared ideas and shared agreement as to the processes we are going to use for working together. In many cases they develop into real love relationships." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Another goal is to establish a relationship "in which it is OK for everybody to do their best. There are an awful lot of people in management who really don't want subordinates to do their best, because it gets to be very threatening. But we have found that both internally and with outside designers if we are willing to have this kind of relationship and if we're willing to be vulnerable to what will come out of it, we get really good work." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Clay's Conclusion: Creativity is great, but plagiarism is faster.
Without freedom of choice there is no creativity. -- Kirk, "The return of the Archons", stardate 3157.4
The chief enemy of creativity is "good" sense -- Picasso
In his book, Mr. DePree tells the story of how designer George Nelson urged that the company also take on Charles Eames in the late 1940s. Max's father, J. DePree, co-founder of the company with Herman Miller in 1923, asked Mr. Nelson if he really wanted to share the limited opportunities of a then-small company with another designer. "George's response was something like this: 'Charles Eames is an unusual talent. He is very different from me. The company needs us both. I want very much to have Charles Eames share in whatever potential there is.'" -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Prevalent beliefs that knowledge can be tapped from previous incarnations or from a "universal mind" (the repository of all past wisdom and creativity) not only are implausible but also unfairly demean the stunning achievements of individual human brains. - Barry L. Beyerstein, "The Brain and Consciousness: Implications for Psi Phenomena", The Skeptical Inquirer, Vol. XII No. 2, ppg. 163-171
Management: How many feet do mice have? Reply: Mice have four feet. M: Elaborate! R: Mice have five appendages, and four of them are feet. M: No discussion of fifth appendage! R: Mice have five appendages; four of them are feet; one is a tail. M: What? Feet with no legs? R: Mice have four legs, four feet, and one tail per unit-mouse. M: Confusing -- is that a total of 9 appendages? R: Mice have four leg-foot assemblies and one tail assembly per body. M: Does not fully discuss the issue! R: Each mouse comes equipped with four legs and a tail. Each leg is equipped with a foot at the end opposite the body; the tail is not equipped with a foot. M: Descriptive? Yes. Forceful NO! R: Allotment of appendages for mice will be: Four foot-leg assemblies, one tail. Deviation from this policy is not permitted as it would constitute misapportionment of scarce appendage assets. M: Too authoritarian; stifles creativity! R: Mice have four feet; each foot is attached to a small leg joined integrally with the overall mouse structural sub-system. Also attached to the mouse sub-system is a thin tail, non-functional and ornamental in nature. M: Too verbose/scientific. Answer the question! R: Mice have four feet.
Mr. DePree also expects a "tremendous social change" in all workplaces. "When I first started working 40 years ago, a factory supervisor was focused on the product. Today it is drastically different, because of the social milieu. It isn't unusual for a worker to arrive on his shift and have some family problem that he doesn't know how to resolve. The example I like to use is a guy who comes in and says 'this isn't going to be a good day for me, my son is in jail on a drunk-driving charge and I don't know how to raise bail.' What that means is that if the supervisor wants productivity, he has to know how to raise bail." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Uh-oh -- I've let the cat out of the bag. Let me, then, straightforwardly state the thesis I shall now elaborate: Making variations on a theme is really the crux of creativity. -- Douglas R. Hofstadter, "Metamagical Themas"
Like ya know? Rock 'N Roll is an esoteric language that unlocks the
essential hipness, which of course is like totally necessary for saving
the earth, like because the first thing in saving this world, is getting
rid of stupid and square attitudes and having fun.
-- Senior Year Quote
Two things are certain about science. It does not stand still for long, and it is never boring. Oh, among some poor souls, including even intellectuals in fields of high scholarship, science is frequently misperceived. Many see it as only a body of facts, promulgated from on high in must, unintelligible textbooks, a collection of unchanging precepts defended with authoritarian vigor. Others view it as nothing but a cold, dry narrow, plodding, rule-bound process -- the scientific method: hidebound, linear, and left brained. These people are the victims of their own stereotypes. They are destined to view the world of science with a set of blinders. They know nothing of the tumult, cacophony, rambunctiousness, and tendentiousness of the actual scientific process, let alone the
know little of the continual procession of new insights and discoveries
that every day, in some way, change our view (if not theirs) of the
natural world.
-- Kendrick Frazier, "The Year in Science: An Overview," in
1988 Yearbook of Science and the Future, Encyclopaedia Britannica, Inc.
It's simply unbelievable how much energy and creativity people have invested into creating contradictory, bogus and stupid licenses... -- - Sven Rudolph about licences in debian/non-free.
"If you want the best things to happen in corporate life you have to find ways to be hospitable to the unusual person. You don't get innovation as a democratic process. You almost get it as an anti-democratic process. Certainly you get it as an anthitetical process, so you have to have an environment where the body of people are really amenable to change and can deal with the conflicts that arise out of change an innovation." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
sometimes you have to squeeze a little to get the paste out of the tube.
... when fits of creativity run strong, more than one programmer or writer has been known to abandon the desktop for the more spacious floor. -- Fred Brooks
Soon I was to find that people who had been creative at one stage of growth now seemed empty of ideas—and worse, they seemed not to notice that the ground had moved up under their feet! As I grew and encountered higher ideals and new goals, what had once been acceptable now seemed lethargic at best and lethal if ignored. You can’t take everyone with you just because they were with you where you were before.
The works of Louis O. Kelso and Patricia Hetter are an essential starting point for reading on black enterprise. The authors develop the wealth-making techniques of credit leverage as one of the most efficient and direct methods of producing affluence in a poor society. The program is brilliantly creative and specific. [ Black Capitalism: Strategy for Business in the Ghetto .]
In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.
After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.
A business has to be involving, it has to be fun, and it has to exercise your creative instincts.
I do not want to avoid immersing myself in trouble \x97 to be a mess \x97 to struggle out of it. I want to invent, to discover, to imagine, to speculate, to improvise \x97 to seize the hazardous in order to be inspired. I want to experience the manifestation of the absolute \x97 the manifestation of the unexpected in an extreme and unique relation. I know that only by following my creative instincts in an act of creative destruction will I be able to find it.
If God is adding to our spiritual stature, unfolding the new nature within us, it is a mistake to keep twitching at the petals with our coarse fingers. We must seek to let the Creative Hand alone. "It is God which giveth the increase." Natural Law, Growth, p. 137.
You're always believing ahead of your evidence. What was the evidence I could write a poem? I just believed it. The most creative thing in us is to believe in a thing.
Be creative, be useful, be practical, be generous, and finish big.
That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.
"The urge to destroy is also a creative urge."
Your aspirations are deeply influenced by your inspirations. Don't produce bad situations due to a lack of creative ambitions.
Not the wretchedest man or woman but has a deep secretive mythology with which to wrestle with the material world and to overcome it and pass beyond it. Not the wretchedest human being but has his share in the creative energy that builds the world. We are all creators. We all create a mythological world of our own out of certain shapeless materials.
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
It has been my conviction ever since reading Rauschenbusch that any religion which professes to be concerned about the souls of men and is not concerned about the social and economic conditions that scar the soul, is a spiritually moribund religion only waiting for the day to be buried. [“Pilgrimage to Nonviolence,” excerpted from Stride Toward Freedom , 1958.] I had also learned that the inseparable twin of racial injustice was economic injustice. Although I came from a home of economic security and relative comfort, I could never get out of my mind the economic insecurity of many of my playmates and the tragic poverty of those living around me. During my late teens I worked two summers, against my father’s wishes–he never wanted my brother and me to work around white people because of the oppressive conditions–in a plant that hired both Negroes and whites. Here I saw economic injustice firsthand, and realized that the poor white was exploited just as much as the Negro. Through these early experiences I grew up deeply conscious of the varieties of injustice in our society. [ Ibid. ] Man is not made for the state; the state is made for man. To deprive man of freedom is to relegate him to the status of a thing, rather than elevate him to the status of a person. Man must never be treated as a means to the end of the state, but always as an end within himself. [ Ibid. ] T]ruth is found neither in Marxism nor in traditional capitalism. Each represents a partial truth. Historically capitalism failed to see the truth in collective enterprise, and Marxism failed to see the truth in individual enterprise. Nineteenth century capitalism failed to see that life is social and Marxism failed and still fails to see that life is individual and personal. The Kingdom of God is neither the thesis of individual enterprise nor the antithesis of collective enterprise, but a synthesis which reconciles the truths of both. [ Ibid. ] With all of its false assumptions and evil methods, communism grew as a protest against the hardships of the underprivileged. Communism in theory emphasized a classless society, and a concern for social justice, though the world knows from sad experience that in practice it created new classes and a new lexicon of injustice. [ Ibid. ] [C]apitalism is always in danger of inspiring men to be more concerned about making a living than making a life. We are prone to judge success by the index of our salaries or the size of our automobiles, rather than by the quality of our service and relationship to humanity-thus capitalism can lead to a practical materialism that is as pernicious as the materialism taught by communism. [ Ibid. ] Personalism’s insistence that only personality-finite and infinite-is ultimately real strengthened me in two convictions: it gave me metaphysical and philosophical grounding for the idea of a personal God, and it gave me a metaphysical basis for the dignity and worth of all human personality. [ Ibid. ] A sixth basic fact about nonviolent resistance is that it is based on the conviction that the universe is on the side of justice. Consequently, the believer in nonviolence has deep faith in the future. This faith is another reason why the nonviolent resister can accept suffering without retaliation. For he knows that in his struggle for justice he has cosmic companionship. It is true that there are devout believers in nonviolence who find it difficult to believe in a personal God. But even these persons believe in the existence of some creative force that works for universal wholeness. Whether we call it an unconscious process, an impersonal Brahman, or a Personal Being of matchless power and infinite love, there is a creative force in this universe that works to bring the disconnected aspects of reality into a harmonious whole. [ Ibid. ] [A]gape means recognition of the fact that all life is interrelated. All humanity is involved in a single process, and all men are brothers. To the degree that I harm my brother, no matter what he is doing to me, to that extent I am harming myself. [ Ibid. ]
Could Hamlet have been written by a committee, or the Mona Lisa painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.
I honor my importance and the importance of others. None of us is dispensable, none of us is replacable. In the chorus of life each of us brings a True Note, a perfect pitch that adds to the harmony of the whole. I act creatively and consciously to actively endorse and encourage the expansion of those whose lives I touch. Believing in the goodness of each, I add to the goodness of all. We bless each other even in passing.
It is only when the mind, which has taken shelter behind the walls of self-protection, frees itself from its own creations that there can be that exquisite reality. After all, these walls of self-protection are the creations of the mind which, conscious of its insufficiency, builds these walls of protection, and behind them takes shelter. One has built up these barriers unconsciously or consciously, and one’s mind is so crippled, bound, held, that action brings greater conflict, further disturbances. So the mere search for the solution of your problems is not going to free the mind from creating further problems. As long as this center of self-protectiveness, born of insufficiency, exists, there must be disturbances, tremendous sorrow, and pain; and you cannot free the mind of sorrow by disciplining it not to be insufficient. That is, you cannot discipline yourself, or be influenced by conditions and environment, in order not to be shallow. You say to yourself, “I am shallow; I recognize the fact, and how am I going to get rid of it?” I say, do not seek to get rid of it, which is merely a process of substitution, but become conscious, become aware of what is causing this insufficiency. You cannot compel it; you cannot force it; it cannot be influenced by an ideal, by a fear, by the pursuit of enjoyment and powers. You can find out the cause of insufficiency only through awareness. That is, by looking into environment and piercing into its significance there will be revealed the cunning subtleties of self-protection. After all, self-protection is the result of insufficiency, and as the mind has been trained, caught up in its bondage for centuries, you cannot discipline it, you cannot overcome it. If you do, you lose the significance of the deceits and subtleties of thought and emotion behind which mind has taken shelter; and to discover these subtleties you must become conscious, aware. Now to be aware is not to alter. Our mind is accustomed to alteration which is merely modification, adjustment, becoming disciplined to a condition; whereas if you are aware, you will discover the full significance of the environment. Therefore there is no modification, but entire freedom from that environment. Only when all these walls of protection are destroyed in the flame of awareness, in which there is no modification or alteration or adjustment, but complete understanding of the significance of environment with all its delicacies and subtleties—only through that understanding is there the eternal; because in that there is no “you” functioning as a self-protective focus. But as long as that self-protecting focus which you call the “I” exists, there must be confusion, there must be disturbance, disharmony, and conflict. You cannot destroy these hindrances by disciplining yourself or by following a system or by imitating a pattern; you can understand them with all their complications only through the full awareness of mind and heart. Then there is an ecstasy, there is that living movement of truth, which is not an end, not a culmination, but an ever-creative living, an ecstasy which cannot be described, because all description must destroy it. So long as you are not vulnerable to truth, there is no ecstasy, there is no immortality.