The aging process has you firmly in its grasp if you never get the urge to throw a snowball.
I grow aware of various forms of man and of myself. I am form and I am formless, I am life and I am matter, mortal and immortal. I am one and many — myself and humanity in flux. I extend a multiple of ways in experience in space. I am myself now, lying on my back in the jungle grass, passing through the ether between satellites and stars. My aging body transmits an ageless life stream. Molecular and atomic replacement change life's composition. Molecules take part in structure and in training, countless trillions of them. After my death, the molecules of my being will return to the earth and sky. They came from the stars. I am of the stars.
Oxygen is a very toxic gas and an extreme fire hazard. It is fatal in concentrations of as little as 0.000001 p.p.m. Humans exposed to the oxygen concentrations die within a few minutes. Symptoms resemble very much those of cyanide poisoning (blue face, etc.). In higher concentrations, e.g. 20%, the toxic effect is somewhat delayed and it takes about 2.5 billion inhalations before death takes place. The reason for the delay is the difference in the mechanism of the toxic effect of oxygen in 20% concentration. It apparently contributes to a complex process called aging, of which very little is known, except that it is always fatal. However, the main disadvantage of the 20% oxygen concentration is in the fact it is habit forming. The first inhalation (occurring at birth) is sufficient to make oxygen addiction permanent. After that, any considerable decrease in the daily oxygen doses results in death with symptoms resembling those of cyanide poisoning. Oxygen is an extreme fire hazard. All of the fires that were reported in the continental U.S. for the period of the past 25 years were found to be due to the presence of this gas in the atmosphere surrounding the buildings in question. Oxygen is especially dangerous because it is odorless, colorless and tasteless, so that its presence can not be readily detected until it is too late. -- Chemical & Engineering News February 6, 1956
We thrive on euphemism. We call multi-megaton bombs "Peace-keepers", closet size apartments "efficient" and incomprehensible artworks "innovative". In fact, "euphemism" has become a euphemism for "bald-faced lie". And now, here are the euphemisms so colorfully employed in Personal Ads: EUPHEMISM REALITY ------------------- ------------------------- Excited about life's journey No concept of reality Spiritually evolved Oversensitive Moody Manic-depressive Soulful Quiet manic-depressive Poet Boring manic-depressive Sultry/Sensual Easy Uninhibited Lacking basic social skills Unaffected and earthy Slob and lacking basic social skills Irreverent Nasty and lacking basic social skills Very human Quasimodo's best friend Swarthy Sweaty even when cold or standing still Spontaneous/Eclectic Scatterbrained Flexible Desperate
Youthful Over 40 and trying to deny it
Good sense of humor Watches a lot of television
"I'm a doctor, not a mechanic." -- "The Doomsday Machine", when asked if he had heard of the idea of a doomsday machine. "I'm a doctor, not an escalator." -- "Friday's Child", when asked to help the very pregnant Ellen up a steep incline. "I'm a doctor, not a bricklayer." -- Devil in the Dark", when asked to patch up the Horta. "I'm a doctor, not an engineer." -- "Mirror, Mirror", when asked by Scotty for help in Engineering aboard the ISS Enterprise. "I'm a doctor, not a coalminer." -- "The Empath", on being beneath the surface of Minara 2. "I'm a surgeon, not a psychiatrist." -- "City on the Edge of Forever", on Edith Keeler's remark that Kirk talked strangely. "I'm no magician, Spock, just an old country doctor." -- "The Deadly Years", to Spock while trying to cure the aging effects of the rogue comet near Gamma Hydra 4. "What am I, a doctor or a moonshuttle conductor?" -- "The Corbomite Maneuver", when Kirk rushed off from a physical exam to answer the alert.
Little attention is nowadays paid to Goethe's work in other fields, work which he himself in some cases prized more highly than his poetry. It is only as an illustration of his many-sidedness and his manifold activity that we now turn to his work as a statesman, as a theatre-director, as a practical political economist. His art-criticism is symptomatic of a phase of European taste which tried in vain to check the growing individualism of Romanticism. His scientific studies and discoveries awaken only an historical interest. We marvel at the obstinacy with which he, with inadequate mathematical knowledge, opposed the Newtonian theory of light and colour; and at his championship of "Neptunism," the theory of aqueous origin, as opposed to "Vulcanism," that of igneous origin of the earth's crust. Of far-reaching importance was, on the other hand, his foreshadowing of the Darwinian theory in his works on the metamorphosis of plants and on animal morphology. Indeed, the deduction to be drawn from Goethe's contributions to botany and anatomy is that he, as no other of his contemporaries, possessed that type of scientific mind which, in the 19th century, has made for progress; he was Darwin's predecessor by virtue of his enunciation of what has now become one of the commonplaces of natural science--organic evolution. Modern, too, was the outlook of the aging poet on the changing social conditions of the age, wonderfully sympathetic his attitude towards modern industry, which steam was just beginning to establish on a new basis, and towards modern democracy. The Europe of his later years was very different from the idyllic and enlightened autocracy of the 18th century, in which he had spent his best years and to which he had devoted his energies; yet Goethe was at home in it. Entry: GOETHE